Shakespeare Survey
Volume 59, Editing Shakespeare
Herausgeber: Holland, Peter
Shakespeare Survey
Volume 59, Editing Shakespeare
Herausgeber: Holland, Peter
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The theme for Shakespeare Survey 59 is 'Editing Shakespeare'.
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The theme for Shakespeare Survey 59 is 'Editing Shakespeare'.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 406
- Erscheinungstermin: 8. Februar 2011
- Englisch
- Abmessung: 246mm x 189mm x 22mm
- Gewicht: 782g
- ISBN-13: 9780521201131
- ISBN-10: 0521201136
- Artikelnr.: 32465289
- Verlag: Cambridge University Press
- Seitenzahl: 406
- Erscheinungstermin: 8. Februar 2011
- Englisch
- Abmessung: 246mm x 189mm x 22mm
- Gewicht: 782g
- ISBN-13: 9780521201131
- ISBN-10: 0521201136
- Artikelnr.: 32465289
Part I: 1. Editing Shakespeare's plays in the twentieth century John
Jowett; 2. Crisis in editing? Edward Pechter; 3. On being a general editor
Stanley Wells; 4. Altering the letter of Twelfth Night: 'Some are born
great' and the missing signature Patricia Parker; 5. 'A thousand Shylocks':
Orson Welles and The Merchant of Venice Tom Rooney; 6. The date and
authorship of hand D's contribution to Sir Thomas More: evidence from
'Literature Online' MacDonald P. Jackson; 7. Ferdinand's wife and
Prospero's wise Ron Tumelson; 8. Editing Stefano's book Andrew Gurr; 9.
Manuscript, print, and the authentic Shakespeare: the Ireland forgeries
again Tom Lockwood; 10. The author, the editor and the translator: William
Shakespeare, Alexander Chalmers and Sándor Petofi or the nature of a
Romantic edition Júlia Paraizs; 11. Women edit Shakespeare Jeanne Addison
Roberts; 12. The Shakespeare edition in industrial capitalism Cary
DiPietro; 13. Print and electronic editions inspired by the New Variorum
Hamlet Project Bernice Kliman; 14. The evolution of online editing: where
will it end? Christie Carson; 15. The director as Shakespeare editor Alan
C. Dessen; 16. The editor as translator Balz Engler; 17. Performance
editions, editing and editors Elizabeth Schafer; 18. Editing collaborative
drama Suzanne Gossett; 19. Will in the Universe: Shakespeare's sonnets,
Plato's Symposium, alchemy and Renaissance Neoplatonism Ronald Gray; 20.
Giants and enemies of God: the relationship between Caliban and Prospero
from the perspective of insular literary tradition Lynn Forest-Hill; 21.
Shakespeare's ages Ruth Morse; 22. Who wrote William Basse's 'Elegy on
Shakespeare'?: rediscovering a poem lost from the Donne canon Brandon S.
Centerwall; 23. 'Sometime a paradox': Shakespeare, Diderot, and the problem
of character Jonathan Holmes; 24. Shakespeare performances in England, 2005
Michael Dobson; 25. Professional Shakespeare productions in the British
Isles, January-December 2004 James Shaw; Part II. The Year's Contribution
to Shakespeare Studies: 1. Critical studies reviewed by Michael Taylor; 2.
Shakespeare in performance reviewed by Emma Smith; 3. Editions and textual
studies reviewed by Eric Rasmussen.
Jowett; 2. Crisis in editing? Edward Pechter; 3. On being a general editor
Stanley Wells; 4. Altering the letter of Twelfth Night: 'Some are born
great' and the missing signature Patricia Parker; 5. 'A thousand Shylocks':
Orson Welles and The Merchant of Venice Tom Rooney; 6. The date and
authorship of hand D's contribution to Sir Thomas More: evidence from
'Literature Online' MacDonald P. Jackson; 7. Ferdinand's wife and
Prospero's wise Ron Tumelson; 8. Editing Stefano's book Andrew Gurr; 9.
Manuscript, print, and the authentic Shakespeare: the Ireland forgeries
again Tom Lockwood; 10. The author, the editor and the translator: William
Shakespeare, Alexander Chalmers and Sándor Petofi or the nature of a
Romantic edition Júlia Paraizs; 11. Women edit Shakespeare Jeanne Addison
Roberts; 12. The Shakespeare edition in industrial capitalism Cary
DiPietro; 13. Print and electronic editions inspired by the New Variorum
Hamlet Project Bernice Kliman; 14. The evolution of online editing: where
will it end? Christie Carson; 15. The director as Shakespeare editor Alan
C. Dessen; 16. The editor as translator Balz Engler; 17. Performance
editions, editing and editors Elizabeth Schafer; 18. Editing collaborative
drama Suzanne Gossett; 19. Will in the Universe: Shakespeare's sonnets,
Plato's Symposium, alchemy and Renaissance Neoplatonism Ronald Gray; 20.
Giants and enemies of God: the relationship between Caliban and Prospero
from the perspective of insular literary tradition Lynn Forest-Hill; 21.
Shakespeare's ages Ruth Morse; 22. Who wrote William Basse's 'Elegy on
Shakespeare'?: rediscovering a poem lost from the Donne canon Brandon S.
Centerwall; 23. 'Sometime a paradox': Shakespeare, Diderot, and the problem
of character Jonathan Holmes; 24. Shakespeare performances in England, 2005
Michael Dobson; 25. Professional Shakespeare productions in the British
Isles, January-December 2004 James Shaw; Part II. The Year's Contribution
to Shakespeare Studies: 1. Critical studies reviewed by Michael Taylor; 2.
Shakespeare in performance reviewed by Emma Smith; 3. Editions and textual
studies reviewed by Eric Rasmussen.
Part I: 1. Editing Shakespeare's plays in the twentieth century John
Jowett; 2. Crisis in editing? Edward Pechter; 3. On being a general editor
Stanley Wells; 4. Altering the letter of Twelfth Night: 'Some are born
great' and the missing signature Patricia Parker; 5. 'A thousand Shylocks':
Orson Welles and The Merchant of Venice Tom Rooney; 6. The date and
authorship of hand D's contribution to Sir Thomas More: evidence from
'Literature Online' MacDonald P. Jackson; 7. Ferdinand's wife and
Prospero's wise Ron Tumelson; 8. Editing Stefano's book Andrew Gurr; 9.
Manuscript, print, and the authentic Shakespeare: the Ireland forgeries
again Tom Lockwood; 10. The author, the editor and the translator: William
Shakespeare, Alexander Chalmers and Sándor Petofi or the nature of a
Romantic edition Júlia Paraizs; 11. Women edit Shakespeare Jeanne Addison
Roberts; 12. The Shakespeare edition in industrial capitalism Cary
DiPietro; 13. Print and electronic editions inspired by the New Variorum
Hamlet Project Bernice Kliman; 14. The evolution of online editing: where
will it end? Christie Carson; 15. The director as Shakespeare editor Alan
C. Dessen; 16. The editor as translator Balz Engler; 17. Performance
editions, editing and editors Elizabeth Schafer; 18. Editing collaborative
drama Suzanne Gossett; 19. Will in the Universe: Shakespeare's sonnets,
Plato's Symposium, alchemy and Renaissance Neoplatonism Ronald Gray; 20.
Giants and enemies of God: the relationship between Caliban and Prospero
from the perspective of insular literary tradition Lynn Forest-Hill; 21.
Shakespeare's ages Ruth Morse; 22. Who wrote William Basse's 'Elegy on
Shakespeare'?: rediscovering a poem lost from the Donne canon Brandon S.
Centerwall; 23. 'Sometime a paradox': Shakespeare, Diderot, and the problem
of character Jonathan Holmes; 24. Shakespeare performances in England, 2005
Michael Dobson; 25. Professional Shakespeare productions in the British
Isles, January-December 2004 James Shaw; Part II. The Year's Contribution
to Shakespeare Studies: 1. Critical studies reviewed by Michael Taylor; 2.
Shakespeare in performance reviewed by Emma Smith; 3. Editions and textual
studies reviewed by Eric Rasmussen.
Jowett; 2. Crisis in editing? Edward Pechter; 3. On being a general editor
Stanley Wells; 4. Altering the letter of Twelfth Night: 'Some are born
great' and the missing signature Patricia Parker; 5. 'A thousand Shylocks':
Orson Welles and The Merchant of Venice Tom Rooney; 6. The date and
authorship of hand D's contribution to Sir Thomas More: evidence from
'Literature Online' MacDonald P. Jackson; 7. Ferdinand's wife and
Prospero's wise Ron Tumelson; 8. Editing Stefano's book Andrew Gurr; 9.
Manuscript, print, and the authentic Shakespeare: the Ireland forgeries
again Tom Lockwood; 10. The author, the editor and the translator: William
Shakespeare, Alexander Chalmers and Sándor Petofi or the nature of a
Romantic edition Júlia Paraizs; 11. Women edit Shakespeare Jeanne Addison
Roberts; 12. The Shakespeare edition in industrial capitalism Cary
DiPietro; 13. Print and electronic editions inspired by the New Variorum
Hamlet Project Bernice Kliman; 14. The evolution of online editing: where
will it end? Christie Carson; 15. The director as Shakespeare editor Alan
C. Dessen; 16. The editor as translator Balz Engler; 17. Performance
editions, editing and editors Elizabeth Schafer; 18. Editing collaborative
drama Suzanne Gossett; 19. Will in the Universe: Shakespeare's sonnets,
Plato's Symposium, alchemy and Renaissance Neoplatonism Ronald Gray; 20.
Giants and enemies of God: the relationship between Caliban and Prospero
from the perspective of insular literary tradition Lynn Forest-Hill; 21.
Shakespeare's ages Ruth Morse; 22. Who wrote William Basse's 'Elegy on
Shakespeare'?: rediscovering a poem lost from the Donne canon Brandon S.
Centerwall; 23. 'Sometime a paradox': Shakespeare, Diderot, and the problem
of character Jonathan Holmes; 24. Shakespeare performances in England, 2005
Michael Dobson; 25. Professional Shakespeare productions in the British
Isles, January-December 2004 James Shaw; Part II. The Year's Contribution
to Shakespeare Studies: 1. Critical studies reviewed by Michael Taylor; 2.
Shakespeare in performance reviewed by Emma Smith; 3. Editions and textual
studies reviewed by Eric Rasmussen.