Shakespeare Survey
Herausgeber: Holland, Peter
Shakespeare Survey
Herausgeber: Holland, Peter
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The theme for Shakespeare Survey 62 is 'Close Encounters with Shakespeare's Text'.
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The theme for Shakespeare Survey 62 is 'Close Encounters with Shakespeare's Text'.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 454
- Erscheinungstermin: 1. Juni 2015
- Englisch
- Abmessung: 246mm x 189mm x 24mm
- Gewicht: 872g
- ISBN-13: 9781107589391
- ISBN-10: 1107589398
- Artikelnr.: 44037202
- Verlag: Cambridge University Press
- Seitenzahl: 454
- Erscheinungstermin: 1. Juni 2015
- Englisch
- Abmessung: 246mm x 189mm x 24mm
- Gewicht: 872g
- ISBN-13: 9781107589391
- ISBN-10: 1107589398
- Artikelnr.: 44037202
1. Shakespeare, text and paratext Sonia Massai; 2. The popularity of
Shakespeare in print Lukas Erne; 3. The continuing importance of new
bibliographical method Paul Werstine; 4. 'Honour the real thing':
Shakespeare, trauma and Titus Andronicus in South Africa Catherine
Silverstone; 5. 'O, these encounterers': on Shakespeare's meetings and
partings David Hillman; 6. A play of modals: grammar and potential action
in early Shakespeare Lynne Magnusson; 7. Merry, Marry, Mary: Shakespearean
word-play and Twelfth Night Thomas Rist; 8. A subtle point: sleeves, tents,
and 'Ariachne's broken woof' (again) Hester Lees-Jeffries; 9. The look of
Othello Michael Neill; 10. Red button Shakespeare Rob Conkie; 11. 'Mark
you/His absolute shall?': multitudinous tongues and contested words in
Coriolanus Alysia Kolentsis; 12. Chagall's Tempest: an autobiographical
reading Hanna Scolnicov; 13. Reading illustrated editions: methodology and
the limits of interpretation Stuart Sillars; 14. Close encounters with Anne
Brontë's Shakespeare Paul Edmondson; 15. Shakespeare and the magic lantern
Judith Buchanan; 16. Shakespeare and the coconuts: close encounters in
post-apartheid South Africa Natasha Distiller; 17. The Schrödinger effect:
reading and misreading performance Andrew James Hartley; 18. Behind the
scenes Robert Shaughnessy; 19. Inner monologues: realist acting and/as
Shakespearean performance text Roberta Barker; 20. More Japanized, casual
and transgender Shakespeares Shoichiro Kawai; 21. Translation futures: are
Shakespeareans in search of the foreign text? Ton Hoenselaars; 22. After
translation Yong Li Lan; 23. 'The single and peculiar life': Hamlet's heart
and the early modern subject Graham Holderness; 24. Mapping King Lear
Robert B. Pierce; 25. 'Last on the stage': the place of Shakespeare in
Charles Darwin's ethology Reiko Oya; 26. Sense/memory/sense-memory: reading
narratives of Shakespearean rehearsals Cary M. Mazer; Shakespeare
performances in England, 2008 Carol Chillington Rutter; Professional
Shakespeare productions in the British Isles, January-December 2007 James
Shaw; The year's contribution to Shakespeare studies: 1. Critical studies
reviewed by Julie Sanders; 2. Shakespeare in performance reviewed by Emma
Smith; 3. Editions and textual studies reviewed by (a) Eric Rasmussen (b)
Peter Holland.
Shakespeare in print Lukas Erne; 3. The continuing importance of new
bibliographical method Paul Werstine; 4. 'Honour the real thing':
Shakespeare, trauma and Titus Andronicus in South Africa Catherine
Silverstone; 5. 'O, these encounterers': on Shakespeare's meetings and
partings David Hillman; 6. A play of modals: grammar and potential action
in early Shakespeare Lynne Magnusson; 7. Merry, Marry, Mary: Shakespearean
word-play and Twelfth Night Thomas Rist; 8. A subtle point: sleeves, tents,
and 'Ariachne's broken woof' (again) Hester Lees-Jeffries; 9. The look of
Othello Michael Neill; 10. Red button Shakespeare Rob Conkie; 11. 'Mark
you/His absolute shall?': multitudinous tongues and contested words in
Coriolanus Alysia Kolentsis; 12. Chagall's Tempest: an autobiographical
reading Hanna Scolnicov; 13. Reading illustrated editions: methodology and
the limits of interpretation Stuart Sillars; 14. Close encounters with Anne
Brontë's Shakespeare Paul Edmondson; 15. Shakespeare and the magic lantern
Judith Buchanan; 16. Shakespeare and the coconuts: close encounters in
post-apartheid South Africa Natasha Distiller; 17. The Schrödinger effect:
reading and misreading performance Andrew James Hartley; 18. Behind the
scenes Robert Shaughnessy; 19. Inner monologues: realist acting and/as
Shakespearean performance text Roberta Barker; 20. More Japanized, casual
and transgender Shakespeares Shoichiro Kawai; 21. Translation futures: are
Shakespeareans in search of the foreign text? Ton Hoenselaars; 22. After
translation Yong Li Lan; 23. 'The single and peculiar life': Hamlet's heart
and the early modern subject Graham Holderness; 24. Mapping King Lear
Robert B. Pierce; 25. 'Last on the stage': the place of Shakespeare in
Charles Darwin's ethology Reiko Oya; 26. Sense/memory/sense-memory: reading
narratives of Shakespearean rehearsals Cary M. Mazer; Shakespeare
performances in England, 2008 Carol Chillington Rutter; Professional
Shakespeare productions in the British Isles, January-December 2007 James
Shaw; The year's contribution to Shakespeare studies: 1. Critical studies
reviewed by Julie Sanders; 2. Shakespeare in performance reviewed by Emma
Smith; 3. Editions and textual studies reviewed by (a) Eric Rasmussen (b)
Peter Holland.
1. Shakespeare, text and paratext Sonia Massai; 2. The popularity of
Shakespeare in print Lukas Erne; 3. The continuing importance of new
bibliographical method Paul Werstine; 4. 'Honour the real thing':
Shakespeare, trauma and Titus Andronicus in South Africa Catherine
Silverstone; 5. 'O, these encounterers': on Shakespeare's meetings and
partings David Hillman; 6. A play of modals: grammar and potential action
in early Shakespeare Lynne Magnusson; 7. Merry, Marry, Mary: Shakespearean
word-play and Twelfth Night Thomas Rist; 8. A subtle point: sleeves, tents,
and 'Ariachne's broken woof' (again) Hester Lees-Jeffries; 9. The look of
Othello Michael Neill; 10. Red button Shakespeare Rob Conkie; 11. 'Mark
you/His absolute shall?': multitudinous tongues and contested words in
Coriolanus Alysia Kolentsis; 12. Chagall's Tempest: an autobiographical
reading Hanna Scolnicov; 13. Reading illustrated editions: methodology and
the limits of interpretation Stuart Sillars; 14. Close encounters with Anne
Brontë's Shakespeare Paul Edmondson; 15. Shakespeare and the magic lantern
Judith Buchanan; 16. Shakespeare and the coconuts: close encounters in
post-apartheid South Africa Natasha Distiller; 17. The Schrödinger effect:
reading and misreading performance Andrew James Hartley; 18. Behind the
scenes Robert Shaughnessy; 19. Inner monologues: realist acting and/as
Shakespearean performance text Roberta Barker; 20. More Japanized, casual
and transgender Shakespeares Shoichiro Kawai; 21. Translation futures: are
Shakespeareans in search of the foreign text? Ton Hoenselaars; 22. After
translation Yong Li Lan; 23. 'The single and peculiar life': Hamlet's heart
and the early modern subject Graham Holderness; 24. Mapping King Lear
Robert B. Pierce; 25. 'Last on the stage': the place of Shakespeare in
Charles Darwin's ethology Reiko Oya; 26. Sense/memory/sense-memory: reading
narratives of Shakespearean rehearsals Cary M. Mazer; Shakespeare
performances in England, 2008 Carol Chillington Rutter; Professional
Shakespeare productions in the British Isles, January-December 2007 James
Shaw; The year's contribution to Shakespeare studies: 1. Critical studies
reviewed by Julie Sanders; 2. Shakespeare in performance reviewed by Emma
Smith; 3. Editions and textual studies reviewed by (a) Eric Rasmussen (b)
Peter Holland.
Shakespeare in print Lukas Erne; 3. The continuing importance of new
bibliographical method Paul Werstine; 4. 'Honour the real thing':
Shakespeare, trauma and Titus Andronicus in South Africa Catherine
Silverstone; 5. 'O, these encounterers': on Shakespeare's meetings and
partings David Hillman; 6. A play of modals: grammar and potential action
in early Shakespeare Lynne Magnusson; 7. Merry, Marry, Mary: Shakespearean
word-play and Twelfth Night Thomas Rist; 8. A subtle point: sleeves, tents,
and 'Ariachne's broken woof' (again) Hester Lees-Jeffries; 9. The look of
Othello Michael Neill; 10. Red button Shakespeare Rob Conkie; 11. 'Mark
you/His absolute shall?': multitudinous tongues and contested words in
Coriolanus Alysia Kolentsis; 12. Chagall's Tempest: an autobiographical
reading Hanna Scolnicov; 13. Reading illustrated editions: methodology and
the limits of interpretation Stuart Sillars; 14. Close encounters with Anne
Brontë's Shakespeare Paul Edmondson; 15. Shakespeare and the magic lantern
Judith Buchanan; 16. Shakespeare and the coconuts: close encounters in
post-apartheid South Africa Natasha Distiller; 17. The Schrödinger effect:
reading and misreading performance Andrew James Hartley; 18. Behind the
scenes Robert Shaughnessy; 19. Inner monologues: realist acting and/as
Shakespearean performance text Roberta Barker; 20. More Japanized, casual
and transgender Shakespeares Shoichiro Kawai; 21. Translation futures: are
Shakespeareans in search of the foreign text? Ton Hoenselaars; 22. After
translation Yong Li Lan; 23. 'The single and peculiar life': Hamlet's heart
and the early modern subject Graham Holderness; 24. Mapping King Lear
Robert B. Pierce; 25. 'Last on the stage': the place of Shakespeare in
Charles Darwin's ethology Reiko Oya; 26. Sense/memory/sense-memory: reading
narratives of Shakespearean rehearsals Cary M. Mazer; Shakespeare
performances in England, 2008 Carol Chillington Rutter; Professional
Shakespeare productions in the British Isles, January-December 2007 James
Shaw; The year's contribution to Shakespeare studies: 1. Critical studies
reviewed by Julie Sanders; 2. Shakespeare in performance reviewed by Emma
Smith; 3. Editions and textual studies reviewed by (a) Eric Rasmussen (b)
Peter Holland.