Sillars explores how the Victorians saw Shakespeare and the nature of time, as manifested in their performances, painting and photography.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Stuart Sillars is Professor of English at the Universities of Bergen and Agder, Norway. He has written extensively on literature and the visual arts, and his most recent books are Painting Shakespeare: The Artist as Critic, 1720-1820 (2006) and The Illustrated Shakespeare, 1709-1875 (2008), both published by Cambridge University Press. Earlier books have explored visual and literary art in the two world wars, illustration and the Victorian novel and the special forms of irony involved in English writing of the early twentieth century.
Inhaltsangabe
1. History, theatre and Shakespeare 2. Dress, attribute and image 3. Pre-Raphaelite Meridian 4. Charles Kean, staging and time 5. Memorialising performance 6. Ars et Veritas: photography and the Victorian stage 7. Fragmentation, excision and dispersal 8. Painting beyond Pre-Raphaelitism 9. Later stagings and the debate with painting 10. Encounters and memories Select bibliography.
1. History, theatre and Shakespeare 2. Dress, attribute and image 3. Pre-Raphaelite Meridian 4. Charles Kean, staging and time 5. Memorialising performance 6. Ars et Veritas: photography and the Victorian stage 7. Fragmentation, excision and dispersal 8. Painting beyond Pre-Raphaelitism 9. Later stagings and the debate with painting 10. Encounters and memories Select bibliography.
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