"The first edited collection to explore Shakespeare's life on modern stage and screen. Focusing on the years 1998-2023, it identifies a 25-year trend for depicting Shakespeare and his contemporaries in theatre, film and television. Exploring continuities and changes in the form since the release of Shakespeare in Love, it traces these developments through the 21st century. With contributions from scholars and practitioners across multiple disciplines, and addressing topics including gender, nation, parody and performance, the collection presents a diverse account of Shakespearean biofiction"--
"The first edited collection to explore Shakespeare's life on modern stage and screen. Focusing on the years 1998-2023, it identifies a 25-year trend for depicting Shakespeare and his contemporaries in theatre, film and television. Exploring continuities and changes in the form since the release of Shakespeare in Love, it traces these developments through the 21st century. With contributions from scholars and practitioners across multiple disciplines, and addressing topics including gender, nation, parody and performance, the collection presents a diverse account of Shakespearean biofiction"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edel Semple is Lecturer in Shakespeare Studies at University College Cork, Ireland. Ronan Hatfull is Lecturer and Senior Associate Tutor in Theatre and Performance Studies at the University of Warwick, UK.
Inhaltsangabe
Notes on Contributors Acknowledgements Note on the Text Introduction: Shakespeare and his Social Circle on the Stage and Screen, 1998-2023, Edel Semple (University College Cork, Ireland) Part One: Author 1. Shakespeare Regrets: Redefining the Heritage Biopic in All Is True, Clara Calvo (University of Murcia, Spain) 2. 'I'll Drown my Book': Imagining Shakespeare's Long Lost First Play, Austin Tichenor (Reduced Shakespeare Company, USA) 3. 'Scarce.a Blot in his Papers': Shakespearean Inspiration on Screen, Judith Buchanan (University of Oxford, UK) 4. Interview on Co-writing and Performing in Bill (dir. Richard Bracewell, 2015), Laurence Rickard (BAFTA-winning comedy writer and actor) in conversation with Ronan Hatfull and Edel Semple 5. 'The Thing is, You're a Douche': Fourth Wave Feminist Representations of Shakespeare in Emilia and & Juliet, Gemma Allred (University of Neuchâtel, Switzerland) Part Two: Family 6. Shakespeare's Dead, Long Live his Widow! One-woman Plays about Anne Hathaway, Edel Semple (University College Cork, Ireland) 7. Interview on Playing Sue Shakespeare in Upstart Crow (BBC, 2016-2021), Helen Monks (writer, actor, and comedian) in conversation with Ronan Hatfull and Edel Semple 8. Father Shakespeare: Grieving for Hamnet on Stage and Screen, Katherine Scheil (University of Minnesota, USA) 9. Shakespeare and Son in All Is True and O'Farrell's Hamnet, Paul Franssen (Utrecht University, the Netherlands) 10. Interview on Writing the Play Shakespeare's Sister (2015), Emma Whipday (Newcastle University, UK; playwright) in conversation with Ronan Hatfull and Edel Semple Part Three: Theatre 11. Imagining the Formative Presence of Early Modern Women in Shakespeare's Circle, Naomi J. Miller (Smith College, USA) 12. 'That's Power': Representations of Performance in Shakespearean Biofiction, Stephen Purcell (University of Warwick, UK) 13. Reverse Engineering Shakespeare: TNT's Will as Repertory Studies Criticism, Aaron Proudfoot (University of Connecticut, USA) 14. Enter Burbage: The Origin Story of an Acting Superhero in Craig Pearce's Will, Michael D. Friedman (University of Scranton, USA) 15. #Sharlowe: Connecting Shakespeare and Marlowe in Only Lovers Left Alive , Upstart Crow, and Will, Ronan Hatfull (University of Warwick, UK) Part Four: Afterlives 16. More 'Shakespeare' than Shakespeare: The Notion of 'Uber-Shakespeare' in The Lego Movie Benjamin Broadribb (The Shakespeare Institute, University of Birmingham, UK) Afterword: Global Shakespearean Biofictions Ramona Wray (Queen's University Belfast, UK) Index
Notes on Contributors Acknowledgements Note on the Text Introduction: Shakespeare and his Social Circle on the Stage and Screen, 1998-2023, Edel Semple (University College Cork, Ireland) Part One: Author 1. Shakespeare Regrets: Redefining the Heritage Biopic in All Is True, Clara Calvo (University of Murcia, Spain) 2. 'I'll Drown my Book': Imagining Shakespeare's Long Lost First Play, Austin Tichenor (Reduced Shakespeare Company, USA) 3. 'Scarce.a Blot in his Papers': Shakespearean Inspiration on Screen, Judith Buchanan (University of Oxford, UK) 4. Interview on Co-writing and Performing in Bill (dir. Richard Bracewell, 2015), Laurence Rickard (BAFTA-winning comedy writer and actor) in conversation with Ronan Hatfull and Edel Semple 5. 'The Thing is, You're a Douche': Fourth Wave Feminist Representations of Shakespeare in Emilia and & Juliet, Gemma Allred (University of Neuchâtel, Switzerland) Part Two: Family 6. Shakespeare's Dead, Long Live his Widow! One-woman Plays about Anne Hathaway, Edel Semple (University College Cork, Ireland) 7. Interview on Playing Sue Shakespeare in Upstart Crow (BBC, 2016-2021), Helen Monks (writer, actor, and comedian) in conversation with Ronan Hatfull and Edel Semple 8. Father Shakespeare: Grieving for Hamnet on Stage and Screen, Katherine Scheil (University of Minnesota, USA) 9. Shakespeare and Son in All Is True and O'Farrell's Hamnet, Paul Franssen (Utrecht University, the Netherlands) 10. Interview on Writing the Play Shakespeare's Sister (2015), Emma Whipday (Newcastle University, UK; playwright) in conversation with Ronan Hatfull and Edel Semple Part Three: Theatre 11. Imagining the Formative Presence of Early Modern Women in Shakespeare's Circle, Naomi J. Miller (Smith College, USA) 12. 'That's Power': Representations of Performance in Shakespearean Biofiction, Stephen Purcell (University of Warwick, UK) 13. Reverse Engineering Shakespeare: TNT's Will as Repertory Studies Criticism, Aaron Proudfoot (University of Connecticut, USA) 14. Enter Burbage: The Origin Story of an Acting Superhero in Craig Pearce's Will, Michael D. Friedman (University of Scranton, USA) 15. #Sharlowe: Connecting Shakespeare and Marlowe in Only Lovers Left Alive , Upstart Crow, and Will, Ronan Hatfull (University of Warwick, UK) Part Four: Afterlives 16. More 'Shakespeare' than Shakespeare: The Notion of 'Uber-Shakespeare' in The Lego Movie Benjamin Broadribb (The Shakespeare Institute, University of Birmingham, UK) Afterword: Global Shakespearean Biofictions Ramona Wray (Queen's University Belfast, UK) Index
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