This richly contextualized study of Shakespeare's comic engagement with sadness contends that the playwright rethinks melancholy through comic theatre and conversely, re-theorizes comedy through melancholy.
This richly contextualized study of Shakespeare's comic engagement with sadness contends that the playwright rethinks melancholy through comic theatre and conversely, re-theorizes comedy through melancholy.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Edinburgh Critical Studies in Shakespeare and Philosophy
J.F. Bernard teaches in the English department at Champlain College, Canada. He specializes in Renaissance drama and its philosophical, cultural, and social points of intersection. He is also interested in ideas of cultural production, adaptions and storytelling, particularly at it relates to contemporary engagements with Shakespeare's plays. He was the project coordinator for the city of Montreal's commemoration of the 400th anniversary of Shakespeare's death in 2016.
Inhaltsangabe
Acknowledgements Series Editor's Preface 1. What's so Funny about Humours? Melancholy, Comedy and Revisionist Philosophy 2. Comic Symmetry and English Melancholy 3. Melancholic Dissonance and the Limits of Psycho-Humouralism 4. Melancholic Ambience at the Comic Close 5. Melancomic Time in Late Shakespeare 6. The Philosophical Afterlives of Shakespearean Melancholy Works Cited Index.
Acknowledgements Series Editor's Preface 1. What's so Funny about Humours? Melancholy, Comedy and Revisionist Philosophy 2. Comic Symmetry and English Melancholy 3. Melancholic Dissonance and the Limits of Psycho-Humouralism 4. Melancholic Ambience at the Comic Close 5. Melancomic Time in Late Shakespeare 6. The Philosophical Afterlives of Shakespearean Melancholy Works Cited Index.
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