Introduction: imagining audiences Katharine A. Craik and Tanya Pollard Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood 2. Hearing Iago's withheld confession Allison Deutermann 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard 5. Playing with appetite in early modern comedy Hillary Nunn 6. Notes towards an analysis of early modern applause Matthew Steggle 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist Part III. Poems: 8. Epigrammatic commotions William Kerwin 9. Poetic 'making' and moving the soul Margaret Healy 10. Shakespearean pain Michael Schoenfeldt Afterword: senses of an ending Bruce R. Smith.
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood 2. Hearing Iago's withheld confession Allison Deutermann 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard 5. Playing with appetite in early modern comedy Hillary Nunn 6. Notes towards an analysis of early modern applause Matthew Steggle 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist Part III. Poems: 8. Epigrammatic commotions William Kerwin 9. Poetic 'making' and moving the soul Margaret Healy 10. Shakespearean pain Michael Schoenfeldt Afterword: senses of an ending Bruce R. Smith.
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