This book provides a sustained, formalist reading of the multiple body parts that litter the dialogue and action of Shakespeare's history plays.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Huw Griffiths is Senior Lecturer in Early Modern English Literature, University of Sydney, Australia. He is the author of Hamlet: A Reader's Guide to Essential Criticism (London: Palgrave, 2005) and "Solitude Interrupted: John Ford's Soliloquies" Shakespeare and the Soliloquy, Eds. Daniel Derrin and Anthony Cousins (Cambridge: Cambridge UP, in press), in addition to many journal and book articles.
Inhaltsangabe
Acknowledgements Preface Introduction: The Baroque Body Parts of Henry VI, Part Two 1. Richard II as Robinson Crusoe: Sovereignty and the Impossibility of Solitude 2. Necks, Throats and Windpipes in Henry V: Sovereignty Translated 3. Prosthetic Hands in King John 4. Copious Sovereignty in the Henry IV Plays 5. 'My kingdom for a horse': Bestial Sovereignty in Richard III Endnotes Bibliography Index.
Acknowledgements Preface Introduction: The Baroque Body Parts of Henry VI, Part Two 1. Richard II as Robinson Crusoe: Sovereignty and the Impossibility of Solitude 2. Necks, Throats and Windpipes in Henry V: Sovereignty Translated 3. Prosthetic Hands in King John 4. Copious Sovereignty in the Henry IV Plays 5. 'My kingdom for a horse': Bestial Sovereignty in Richard III Endnotes Bibliography Index.
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