Peter Holbrook
Shakespeare's Individualism
Peter Holbrook
Shakespeare's Individualism
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- Produkterinnerung
Why should we bother with Shakespeare today? A provocative perspective on the theme of individual freedom in Shakespeare's work.
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Why should we bother with Shakespeare today? A provocative perspective on the theme of individual freedom in Shakespeare's work.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 260
- Erscheinungstermin: 29. November 2011
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 579g
- ISBN-13: 9780521760676
- ISBN-10: 0521760674
- Artikelnr.: 28513798
- Verlag: Cambridge University Press
- Seitenzahl: 260
- Erscheinungstermin: 29. November 2011
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 579g
- ISBN-13: 9780521760676
- ISBN-10: 0521760674
- Artikelnr.: 28513798
Peter Holbrook teaches English Literature at the University of Queensland.
Introduction
Part I. Shakespeare, Hamlet, Selfhood: 1. Hamlet and failure
2. 'A room...at the back of the shop'
3. Egyptianism (our fascist future)
4. 'Become who you are!'
5. Hamlet and self-love
6. 'To thine own self be true'
7. Listening to ghosts
8. Shakespeare's self
Part II. Shakespeare and Evil: 9. 'Old lad, I am thine own': authenticity and Titus Andronicus
10. Evil and self-creation
11. Libertarian Shakespeare: Mill, Bradley
12. Shakespearean immoral individualism: Gide
13. Strange Shakespeare: Symons and others
14. Eliot's rejection of Shakespeare
15. Shakespearean immoralism: Antony and Cleopatra
16. Making oneself known: Montaigne and the Sonnets
Part III. Shakespeare and Self-Government: 17. Freedom and self-government: The Tempest
18. Calibanism
Conclusion: Shakespeare's 'beauteous freedom'.
Part I. Shakespeare, Hamlet, Selfhood: 1. Hamlet and failure
2. 'A room...at the back of the shop'
3. Egyptianism (our fascist future)
4. 'Become who you are!'
5. Hamlet and self-love
6. 'To thine own self be true'
7. Listening to ghosts
8. Shakespeare's self
Part II. Shakespeare and Evil: 9. 'Old lad, I am thine own': authenticity and Titus Andronicus
10. Evil and self-creation
11. Libertarian Shakespeare: Mill, Bradley
12. Shakespearean immoral individualism: Gide
13. Strange Shakespeare: Symons and others
14. Eliot's rejection of Shakespeare
15. Shakespearean immoralism: Antony and Cleopatra
16. Making oneself known: Montaigne and the Sonnets
Part III. Shakespeare and Self-Government: 17. Freedom and self-government: The Tempest
18. Calibanism
Conclusion: Shakespeare's 'beauteous freedom'.
Introduction; Part I. Shakespeare, Hamlet, Selfhood: 1. Hamlet and failure; 2. 'A room...at the back of the shop'; 3. Egyptianism (our fascist future); 4. 'Become who you are!'; 5. Hamlet and self-love; 6. 'To thine own self be true'; 7. Listening to ghosts; 8. Shakespeare's self; Part II. Shakespeare and Evil: 9. 'Old lad, I am thine own': authenticity and Titus Andronicus; 10. Evil and self-creation; 11. Libertarian Shakespeare: Mill, Bradley; 12. Shakespearean immoral individualism: Gide; 13. Strange Shakespeare: Symons and others; 14. Eliot's rejection of Shakespeare; 15. Shakespearean immoralism: Antony and Cleopatra; 16. Making oneself known: Montaigne and the Sonnets; Part III. Shakespeare and Self-Government: 17. Freedom and self-government: The Tempest; 18. Calibanism; Conclusion: Shakespeare's 'beauteous freedom'.
Introduction
Part I. Shakespeare, Hamlet, Selfhood: 1. Hamlet and failure
2. 'A room...at the back of the shop'
3. Egyptianism (our fascist future)
4. 'Become who you are!'
5. Hamlet and self-love
6. 'To thine own self be true'
7. Listening to ghosts
8. Shakespeare's self
Part II. Shakespeare and Evil: 9. 'Old lad, I am thine own': authenticity and Titus Andronicus
10. Evil and self-creation
11. Libertarian Shakespeare: Mill, Bradley
12. Shakespearean immoral individualism: Gide
13. Strange Shakespeare: Symons and others
14. Eliot's rejection of Shakespeare
15. Shakespearean immoralism: Antony and Cleopatra
16. Making oneself known: Montaigne and the Sonnets
Part III. Shakespeare and Self-Government: 17. Freedom and self-government: The Tempest
18. Calibanism
Conclusion: Shakespeare's 'beauteous freedom'.
Part I. Shakespeare, Hamlet, Selfhood: 1. Hamlet and failure
2. 'A room...at the back of the shop'
3. Egyptianism (our fascist future)
4. 'Become who you are!'
5. Hamlet and self-love
6. 'To thine own self be true'
7. Listening to ghosts
8. Shakespeare's self
Part II. Shakespeare and Evil: 9. 'Old lad, I am thine own': authenticity and Titus Andronicus
10. Evil and self-creation
11. Libertarian Shakespeare: Mill, Bradley
12. Shakespearean immoral individualism: Gide
13. Strange Shakespeare: Symons and others
14. Eliot's rejection of Shakespeare
15. Shakespearean immoralism: Antony and Cleopatra
16. Making oneself known: Montaigne and the Sonnets
Part III. Shakespeare and Self-Government: 17. Freedom and self-government: The Tempest
18. Calibanism
Conclusion: Shakespeare's 'beauteous freedom'.
Introduction; Part I. Shakespeare, Hamlet, Selfhood: 1. Hamlet and failure; 2. 'A room...at the back of the shop'; 3. Egyptianism (our fascist future); 4. 'Become who you are!'; 5. Hamlet and self-love; 6. 'To thine own self be true'; 7. Listening to ghosts; 8. Shakespeare's self; Part II. Shakespeare and Evil: 9. 'Old lad, I am thine own': authenticity and Titus Andronicus; 10. Evil and self-creation; 11. Libertarian Shakespeare: Mill, Bradley; 12. Shakespearean immoral individualism: Gide; 13. Strange Shakespeare: Symons and others; 14. Eliot's rejection of Shakespeare; 15. Shakespearean immoralism: Antony and Cleopatra; 16. Making oneself known: Montaigne and the Sonnets; Part III. Shakespeare and Self-Government: 17. Freedom and self-government: The Tempest; 18. Calibanism; Conclusion: Shakespeare's 'beauteous freedom'.