Shakespeare's Letters shows how and why Shakespeare put letters on stage in virtually all of his plays. Showing the very different uses to which letters were put in Shakespeare's time, this book throws new light on some of his most familiar dramas. Includes new readings of Hamlet, King Lear, and The Merchant of Venice.
Shakespeare's Letters shows how and why Shakespeare put letters on stage in virtually all of his plays. Showing the very different uses to which letters were put in Shakespeare's time, this book throws new light on some of his most familiar dramas. Includes new readings of Hamlet, King Lear, and The Merchant of Venice.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alan Stewart is Professor of English and Comparative Literature at Columbia University, and International Director of the Centre for Editing Lives and Letters in London. His publications include Close Readers: Humanism and Sodomy in Early Modern England (1997), Hostage to Fortune: The Troubled Life of Francis Bacon (with Lisa Jardine, 1998), Philip Sidney: A Double Life (2000), The Cradle King: A Life of James VI and I (2003), and Letterwriting in Renaissance England (with Heather Wolfe, 2004). He is a contributing editor to the new Oxford Francis Bacon, and editor of the Barnes and Noble Shakespeare Henry VI plays.
Inhaltsangabe
Introduction: Searching for Shakespeare's Letters 1: The Materiality of Shakespeare's Letters 2: Shakespeare's Roman Letters 3: Shakespeare and the Carriers 4: Shakespeare is Shylock: Letters of Credit in The Merchant of Venice 5: The Matter of Messengers in King Lear 6: Lovers' lines: Letters to Ophelia 7: Rewriting Hamlet
Introduction: Searching for Shakespeare's Letters 1: The Materiality of Shakespeare's Letters 2: Shakespeare's Roman Letters 3: Shakespeare and the Carriers 4: Shakespeare is Shylock: Letters of Credit in The Merchant of Venice 5: The Matter of Messengers in King Lear 6: Lovers' lines: Letters to Ophelia 7: Rewriting Hamlet
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