Introduction: 'Printless foot': finding Shakespeare; Part I. Rethinking Shakespearean Authorship: 1. The epic spear of Achilles: self-concealing authorship in The Rape of Lucrece Troilus and Cressida and Hamlet; 2. The forms of 'counter-laureate authorship': Titus Andronicus A Midsummer Night's Dream 1 Henry IV The Tempest; 3. Lyric poetry in Shakespearean theatre: As You Like It 1 Henry IV Henry V The Tempest; 4. Books and theatre in Shakespeare's plays: Richard III Love's Labour's Lost Romeo and Juliet Othello; Part II. Fictions of Authorship: 5. 'Shows of love . . . bookish rule': theatre book and literary history in 2 Henry IV; 6. Halting sonnets: the comedy of Petrarchan desire in Much Ado about Nothing; 7. The profession of consciousness: Hamlet tragedy and the literary eternal; 8. Venting rhyme for a mockery: Cymbeline and national romance.
Introduction: 'Printless foot': finding Shakespeare; Part I. Rethinking Shakespearean Authorship: 1. The epic spear of Achilles: self-concealing authorship in The Rape of Lucrece Troilus and Cressida and Hamlet; 2. The forms of 'counter-laureate authorship': Titus Andronicus A Midsummer Night's Dream 1 Henry IV The Tempest; 3. Lyric poetry in Shakespearean theatre: As You Like It 1 Henry IV Henry V The Tempest; 4. Books and theatre in Shakespeare's plays: Richard III Love's Labour's Lost Romeo and Juliet Othello; Part II. Fictions of Authorship: 5. 'Shows of love . . . bookish rule': theatre book and literary history in 2 Henry IV; 6. Halting sonnets: the comedy of Petrarchan desire in Much Ado about Nothing; 7. The profession of consciousness: Hamlet tragedy and the literary eternal; 8. Venting rhyme for a mockery: Cymbeline and national romance.
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