Shakespeareâ s Sublime Ethos: Matter, Stage, Form breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answer to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity.
Shakespeareâ s Sublime Ethos: Matter, Stage, Form breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answer to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jonathan P. A. Sell is Professor of English Literature at the Universidad de Alcalá, Spain. He holds degrees from the universities of Oxford, London and Alcalá, and his main fields of research are early modern and contemporary literature. He has written numerous articles and several books, including Rhetoric and Wonder in English Travel Writing, 1560-1613 (2006), Allusion, Identity and Community (2012) and Conocer a Shakespeare [Getting to Know Shakespeare] (2012).
Inhaltsangabe
Introduction Aside "With reason to admire" Plan of the work Chapter 1. On the Sublime Quod erat demonstrandum Replotting the sublime The early modern sublime Plato, Longinus, and the Christian sublime Some notes on the sublime Chapter 2. "Brightest heaven of invention": Sublime Topics Ethos and the sublime gestalt Sublime cues and "strong expressions" Sublime phenomena "Outstretched heroes" Counterfeit metaphysics Chapter 3. "The fairy way of writing": Sublime Matter "The hateful incredible" The sublime and the wonderful The tyranny of knowledge Chapter 4. "'Twixt heaven and earth": Sublime Scenography The sublime stage Perspective/Scenography The dangerous edge The art of intermediacy Chapter 5. Divine Mechanisms: Sublime Form and Shape "Irregularities of genius" Poems unlimited Divinity bursts forth No clocks in Rome [Entre'acte] "Awful parenthesis" "The very body of the time" "Fissures of sublimity" Chapter 6. Bastard Art, Innocent Experience Wood clearing The art of the blemish Atomism, atheism, aesthetics Sublimity and beauty "Damned custom", primal nescience "Fairing the foul" Child father Conclusions: Shakespeare's Sublime Ethos
Introduction Aside "With reason to admire" Plan of the work Chapter 1. On the Sublime Quod erat demonstrandum Replotting the sublime The early modern sublime Plato, Longinus, and the Christian sublime Some notes on the sublime Chapter 2. "Brightest heaven of invention": Sublime Topics Ethos and the sublime gestalt Sublime cues and "strong expressions" Sublime phenomena "Outstretched heroes" Counterfeit metaphysics Chapter 3. "The fairy way of writing": Sublime Matter "The hateful incredible" The sublime and the wonderful The tyranny of knowledge Chapter 4. "'Twixt heaven and earth": Sublime Scenography The sublime stage Perspective/Scenography The dangerous edge The art of intermediacy Chapter 5. Divine Mechanisms: Sublime Form and Shape "Irregularities of genius" Poems unlimited Divinity bursts forth No clocks in Rome [Entre'acte] "Awful parenthesis" "The very body of the time" "Fissures of sublimity" Chapter 6. Bastard Art, Innocent Experience Wood clearing The art of the blemish Atomism, atheism, aesthetics Sublimity and beauty "Damned custom", primal nescience "Fairing the foul" Child father Conclusions: Shakespeare's Sublime Ethos
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