Shakespeare's Unreformed Fictions asks why Catholicism had such an imaginative hold on Shakespearean drama, even though the on-going Reformation outlawed its practice. Concentrating on dramatic impact, and integrating literary analysis with fresh historical research, Gillian Woods offers a new and engaging answer to this important question.
Shakespeare's Unreformed Fictions asks why Catholicism had such an imaginative hold on Shakespearean drama, even though the on-going Reformation outlawed its practice. Concentrating on dramatic impact, and integrating literary analysis with fresh historical research, Gillian Woods offers a new and engaging answer to this important question.
Gillian Woods is a Lecturer in Renaissance Theatre and Drama at Birkbeck College, University of London. She has published on a range of early modern drama, including works by Shakespeare, Christopher Marlowe, John Ford and Anthony Munday.
Inhaltsangabe
Introduction Incorporating the Past in 1 Henry VI Converting Names in Love's Labour's Lost Seeming Difference in Measure for Measure and All's Well that Ends Well Affecting Possession in King Lear Knowing Fiction in The Winter's Tale Bibliography
Introduction Incorporating the Past in 1 Henry VI Converting Names in Love's Labour's Lost Seeming Difference in Measure for Measure and All's Well that Ends Well Affecting Possession in King Lear Knowing Fiction in The Winter's Tale Bibliography
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