Shakespeare's Virtuous Theatre
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Presents Shakespeare's theatre as a powerful forum for shaping our capacity for virtue

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Presents Shakespeare's theatre as a powerful forum for shaping our capacity for virtue
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Autorenporträt
Kent Lehnhof is professor of English at Chapman University. He is author of some two dozen articles on early modern literature and culture and is co-editor (along with Moshe Gold and Sandor Goodhart) of the essay collection Of Levinas and Shakespeare: "To See Another Thus" (2018). His articles have appeared in such journals as Shakespeare Quarterly, Renaissance Drama, English Literary Renaissance, ELH, SEL, Modern Philology , and Criticism. He is currently working on a book-length study of vocality and ethics in Shakespeare's late plays. Julia Reinhard Lupton is Distinguished Professor of English at the University of California, Irvine. She is the author or co-author of five books, including Shakespeare Dwelling: Designs for the Theater of Life (2018), Thinking with Shakespeare (2015), and Citizen-Saints (2012). She has edited or co-edited many volumes and special issues, including Shakespeare and Virtue: A Handbook (with Donovan Sherman), and Shakespeare's Virtuous Theatre: Power, Capacity, and the Good (with Kent Lehnhof and Carolyn Sale), Shakespeare and Hospitality (with David Goldstein), and Face to Face with Shakespeare (with Matthew Smith). She is a former Guggenheim Fellow and a former Trustee of the Shakespeare Association of America. Carolyn Sale is associate professor of English at the University of Alberta. Her work has appeared in journals including ELH, Renaissance Drama , and Shakespeare Quarterly, as well as various essay collections including The Oxford Handbook of Shakespearean Comedy (2018), The Oxford Handbook of English Law and Literature, 1500-1700 (2017), Shakespeare and Judgment (2016), The History of British Women's Writing, Volume 1, 1500-1610 (2010), and The Law in Shakespeare (2007). She is completing the book manuscript 'The Literary Commons: The Common Law and the Writer in Early Modern England, 1528-1628'. Earlier work in the phenomenology of Shakespeare's theatre includes "Eating Air, Feeling Smells: Hamlet's Theory of Performance," reprinted in Bloom's Modern Critical Interpretations: Hamlet (2009).