Sophie Duncan illuminates iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and careers of the actresses who played them. Duncan draws on a wealth of archival material to explore the vital ways in which fin-de-si¿e Shakespeare and Victorian theatre culture conditioned each other.
Sophie Duncan illuminates iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and careers of the actresses who played them. Duncan draws on a wealth of archival material to explore the vital ways in which fin-de-si¿e Shakespeare and Victorian theatre culture conditioned each other.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sophie Duncan is a Postdoctoral Research Associate at Magdalen College, University of Oxford. Her principal research interests are in Early Modern and nineteenth-century drama, theatre history, cognitive approaches to literature, and cultural memory. She has published on fin-de-siècle Gothic culture, Shakespeare, and celebrity. Beyond academia, she works regularly as a historical advisor and dramaturg for theatre, radio, and television.
Inhaltsangabe
Introduction 1: The Lily, the Matron, and Rosalind 2: Bad women, good wives: Ellen Terry as Lady Macbeth 3: The 'femme serpent': Mrs Patrick Campbell at the Lyceum 4: A British princess: Ellen Terry as Imogen 5: 'The eternal suffragette': New Women and a new century Epilogue Bibliography Index
Introduction 1: The Lily, the Matron, and Rosalind 2: Bad women, good wives: Ellen Terry as Lady Macbeth 3: The 'femme serpent': Mrs Patrick Campbell at the Lyceum 4: A British princess: Ellen Terry as Imogen 5: 'The eternal suffragette': New Women and a new century Epilogue Bibliography Index
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