Shamanism in the Contemporary Novel examines how shamanism is used as a significant trope in a selection of novels. Özlem Ö¿üt Yaz¿c¿ölu contends that the shamanic figures and societies featured in these works have been subjected to marginalization, dislocation, and dispossession through imperialist, colonialist, and capitalist encroachments in different historical contexts.
Shamanism in the Contemporary Novel examines how shamanism is used as a significant trope in a selection of novels. Özlem Ö¿üt Yaz¿c¿ölu contends that the shamanic figures and societies featured in these works have been subjected to marginalization, dislocation, and dispossession through imperialist, colonialist, and capitalist encroachments in different historical contexts.
Introduct¿on Part I: Shamanism, Animism, and Totemism in North-East Asian Indigenous Contexts Chapter 1: Being With: Transcorporeal Imagination in The Last Quarter of the Moon Chapter 2: If Confucius Hadn't Said: Rewriting History from the Memory of Water in Fang Qi's Elegy of a River Shaman Chapter 3:Why It Matters What We Can Afford To Each Other: Of Wolves and Men in Jiang Rong's Wolf Totem Part II: Shamanistic-Animistic Insights for Social and Environmental Justice Today Chapter 4: Bodies and Souls: Diffractive Seeing in Angela Carter's Nights at the Circus and Elif Shafak's The Gaze Chapter 5: Resisting With Myths and Books in Water and Earth by Buket Uzuner Conclusion
Introduct¿on Part I: Shamanism, Animism, and Totemism in North-East Asian Indigenous Contexts Chapter 1: Being With: Transcorporeal Imagination in The Last Quarter of the Moon Chapter 2: If Confucius Hadn't Said: Rewriting History from the Memory of Water in Fang Qi's Elegy of a River Shaman Chapter 3:Why It Matters What We Can Afford To Each Other: Of Wolves and Men in Jiang Rong's Wolf Totem Part II: Shamanistic-Animistic Insights for Social and Environmental Justice Today Chapter 4: Bodies and Souls: Diffractive Seeing in Angela Carter's Nights at the Circus and Elif Shafak's The Gaze Chapter 5: Resisting With Myths and Books in Water and Earth by Buket Uzuner Conclusion
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