The dialogue between form and message is intrinsic to the novel as genre. Yet the strength of that discourse has been shaken in the twentieth century by an increasing doubt about affirmations of any kind and a growing awareness of the relativity of knowledge and perception. The novel reflects this intellectual current by turning its glance inward to mediate on the creative act as a form of self-contained assertion of its own particular significance. The three writers on whom this study focuses, all major twentieth century authors, were chosen because they can be considered as important…mehr
The dialogue between form and message is intrinsic to the novel as genre. Yet the strength of that discourse has been shaken in the twentieth century by an increasing doubt about affirmations of any kind and a growing awareness of the relativity of knowledge and perception. The novel reflects this intellectual current by turning its glance inward to mediate on the creative act as a form of self-contained assertion of its own particular significance. The three writers on whom this study focuses, all major twentieth century authors, were chosen because they can be considered as important representatives of this novelistic self-consciousness. Building on André Malraux's vision of the colloquium as an open-ended verbal interchange, this study calls upon the voices of Anne Hérbert and Patrick Modiano to enter into a dialogue on novelistic form.
Constantina Thalia Mitchell is Professor of French at Gallauder University (Washington D.C.). She holds a Ph.D. in French literature from McGill University and a licence ès lettres from the Sorbonne. Her publications include works on Paul Verlaine, Anne Hérbert, Yves Beauchemin, and nineteenth- and twentieth century deaf history of Québec. She has served on the executive and editiorial boards of the American Council for Québec Studies, as well as the Galluader University Press editorial board.
Inhaltsangabe
Abbreviations Introduction PART I: COLLOQUIUM AS TEXT/TEXT AS COLLOQUIUM: ANDRÉ MALRAUX'S LES NOYERS DE L'ALTENBURG Chapter 1. Situating the Work: An Overview * A Literature of Uncertainty * Les Noyers de L'Altenburg: Genesis and Critical Response Chapter 2. The Opening of the Son's Account * The Noyers Incipit and Textual Framing * Chartres Prison Camp: Writer(s) Writing * Berger's Dream or a Text in Search of Embodiment * Parodic Representations of Written and Oral Discourse Chapter 3. The Father's Cycle: Embedding / Telling * Enclosure and Access * Inscriptions of Writing * The Core Segment * The Altenburg Colloquium Chapter 4. The Text's Inverted Continuum: The Flanders Account Chapter 5. The Néocritique Colloquium and Les Noyers de l'Altenburg * The Pluralistic Point of View * Deferral of Resolution * The Medium as Message * Relativization of Events and Individuals * Value Systems * Metamorphosis * The Role of Chance PART II: VOICES, DREAMS AND NARRATIVE ORGANIZATION: ANNE HÉRBERT'S L'ENFANT CHARGÉ DE SONGES Chapter 6. The Drama of the Self Chapter 7. The Paris Narrative * Entering the Text: The Dragon Mother as Muse * Circumscription and Concentricity: The Urban Nexus Chapter 8. The Duchesnay-Quebec City Narrative * Voices of Conflict: Centrifugal and Centripetal Forces * Interaction of Voices/Manner of Communication * Laughter's Relativization of the Sublime, the Profane, and the Carnivalesque Chapter 9. Thematization and Structural Articulation: Writing and Art as Referents * The Epistolary Mode * The Text's Dialogue with Literature and Music Chapter 10. Routes of Exploration * The Hébertian Road * Dreams PART III: ABSENCE, INQUIRY, AND FABRICATION: TEXTUAL REPRESENTATION IN THE NOVELS OF PATRICK MODIANO Chapter 11. Surveying the Literary Terrain Chapter 12. Mnemosyne's Spell Chapter 13. Specularity and the Void as Text * Writing and Vacuity: Vestiaire de l'enfance * A Paradigm of the Textual Abyss: Voyage de Noces * Bringing the Text to Light: Fleurs de ruine * Narrative Reweaving in Un Cirque passe and Chien de printemps Chapter 14. The Then and Now of Modiano's Novelistic World Bibliography Index
Abbreviations Introduction PART I: COLLOQUIUM AS TEXT/TEXT AS COLLOQUIUM: ANDRÉ MALRAUX'S LES NOYERS DE L'ALTENBURG Chapter 1. Situating the Work: An Overview * A Literature of Uncertainty * Les Noyers de L'Altenburg: Genesis and Critical Response Chapter 2. The Opening of the Son's Account * The Noyers Incipit and Textual Framing * Chartres Prison Camp: Writer(s) Writing * Berger's Dream or a Text in Search of Embodiment * Parodic Representations of Written and Oral Discourse Chapter 3. The Father's Cycle: Embedding / Telling * Enclosure and Access * Inscriptions of Writing * The Core Segment * The Altenburg Colloquium Chapter 4. The Text's Inverted Continuum: The Flanders Account Chapter 5. The Néocritique Colloquium and Les Noyers de l'Altenburg * The Pluralistic Point of View * Deferral of Resolution * The Medium as Message * Relativization of Events and Individuals * Value Systems * Metamorphosis * The Role of Chance PART II: VOICES, DREAMS AND NARRATIVE ORGANIZATION: ANNE HÉRBERT'S L'ENFANT CHARGÉ DE SONGES Chapter 6. The Drama of the Self Chapter 7. The Paris Narrative * Entering the Text: The Dragon Mother as Muse * Circumscription and Concentricity: The Urban Nexus Chapter 8. The Duchesnay-Quebec City Narrative * Voices of Conflict: Centrifugal and Centripetal Forces * Interaction of Voices/Manner of Communication * Laughter's Relativization of the Sublime, the Profane, and the Carnivalesque Chapter 9. Thematization and Structural Articulation: Writing and Art as Referents * The Epistolary Mode * The Text's Dialogue with Literature and Music Chapter 10. Routes of Exploration * The Hébertian Road * Dreams PART III: ABSENCE, INQUIRY, AND FABRICATION: TEXTUAL REPRESENTATION IN THE NOVELS OF PATRICK MODIANO Chapter 11. Surveying the Literary Terrain Chapter 12. Mnemosyne's Spell Chapter 13. Specularity and the Void as Text * Writing and Vacuity: Vestiaire de l'enfance * A Paradigm of the Textual Abyss: Voyage de Noces * Bringing the Text to Light: Fleurs de ruine * Narrative Reweaving in Un Cirque passe and Chien de printemps Chapter 14. The Then and Now of Modiano's Novelistic World Bibliography Index
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