Sergei Kan is a professor of anthropology and Native American studies at Dartmouth College. He is the editor and author of several books, including Russian American Photographer in Tlingit Country: Vincent Soboleff in Alaska; Memory Eternal: Tlingit Culture and Russian Orthodox Christianity through Two Centuries; and Symbolic Immortality:¿Tlingit Potlatch of the Nineteenth Century. Steve Henrikson is a curator of collections at the Alaska State Museum and is an adjunct instructor at the University of Alaska Southeast in Juneau. He specializes in Tlingit material culture and art. He has lived…mehr
Sergei Kan is a professor of anthropology and Native American studies at Dartmouth College. He is the editor and author of several books, including Russian American Photographer in Tlingit Country: Vincent Soboleff in Alaska; Memory Eternal: Tlingit Culture and Russian Orthodox Christianity through Two Centuries; and Symbolic Immortality:¿Tlingit Potlatch of the Nineteenth Century. Steve Henrikson is a curator of collections at the Alaska State Museum and is an adjunct instructor at the University of Alaska Southeast in Juneau. He specializes in Tlingit material culture and art. He has lived in Juneau, Alaska, for many years and has been actively involved in organizing the periodic Tlingit clan conferences.¿Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sergei Kan is a professor of anthropology at Dartmouth College. He is the editor and author of several books, including Russian American Photographer in Tlingit Country: Vincent Soboleff in Alaska; Memory Eternal: Tlingit Culture and Russian Orthodox Christianity through Two Centuries; and Symbolic Immortality: Tlingit Potlatch of the Nineteenth Century. Kan visits southeastern Alaska regularly and has been actively involved in organizing periodic Tlingit clan conferences. Steve Henrikson is a curator of collections at the Alaska State Museum and is an adjunct instructor at the University of Alaska Southeast in Juneau. He specializes in Tlingit material culture and art. Henrikson has lived in Juneau, Alaska, for many years.
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List of Illustrations Introduction Sergei Kan Part 1. Our Elders and Teachers 1. Shotridge in Philadelphia: Representing Native Alaskan Peoples to East Coast Audiences Robert W. Preucel 2. Louis Shotridge: Preserver of Tlingit History and Culture Lucy Fowler Williams 3. This Is Kuxaankutaan’s (Dr. Frederica de Laguna’s) Song Chew Shaa (Elaine Abraham) and Daxootsu (Judith Ramos) 4. Mark Jacobs Jr./Gusht’ei’héen (1923–2005) Harold Jacobs 5. X’eigaa Kaa (Tlingit Warrior) Harold Jacobs 6. Mark Jacobs Jr./Gusht’eihéen: My Teacher, Friend, and Older Brother Sergei Kan 7. World War II Scuttlebutt: Naval Section Bases, Southeast Alaska Mark Jacobs Jr. 8. Poems by Andrew Hope III Introduced by Ishmael Hope 9. As Long as the Work Gets Done Peter Metcalfe 10. Revival and Survival: Two Lifetimes in Tlingit Nora Marks Dauenhauer and Richard Dauenhauer Part 2. Native History 11. Tlingit Interaction with Other Native Alaskan and Northwest Coast Ethnic Groups before and during the Russian Era Elena Piterskaya 12. Relating Deep Genealogies, Traditional History, and Early Documentary Records in Southeast Alaska: Questions, Problems, and Progress Judith Berman 13. Whose Justice? Traditional Tlingit Law and the Deady Code Diane Purvis 14. Bringing to Light a Counternarrative of Our History: B. A. Haldane, Nineteenth-Century Tsimshian Photographer Mique’l Icesis Dangeli Part 3. Subsistence, Natural Resources, and Ethnogeography 15. Haida and Tlingit Use of Seabirds from the Forrester Islands, Southeast Alaska Madonna L. Moss 16. Deiki Noow: Tlingit Cultural Heritage in the Hazy Islands Steve J. Langdon 17. Place as Education’s Source Thomas F. Thornton Part 4. Material Culture, Art, and Tourism 18. Skidegate Haida House Models Robin K. Wright 19. The Evolution of Tlingit Daggers Ashley Verplank McClelland 20. Tourists and Collectors: The New Market for Tlingit and Haida Jewelry at the Turn of the Century Kathryn Bunn-Marcuse 21. Opening the Drawer: Unpacking Tlingit Beadwork in Museum Collections and Beyond Megan A. Smetzer 22. Balancing Protocol and Law for Intellectual Property: Examples and Ethical Dilemmas from the Northwest Coast Art Market Alexis C. Bunten Part 5. Repatriation 23. A Killer Whale Comes Home: Neil Kúxdei woogoot, Kéet S’aaxw, Mark Jacobs Jr., and the Repatriation of a Clan Crest Hat from the Smithsonian Institution R. Eric Hollinger and Harold Jacobs 24. Building New Relationships with Tlingit Clans: Potlatch Loans, NAGPRA, and the Penn Museum Stacey O. Espenlaub Appendix Contributors Index
List of Illustrations Introduction Sergei Kan Part 1. Our Elders and Teachers 1. Shotridge in Philadelphia: Representing Native Alaskan Peoples to East Coast Audiences Robert W. Preucel 2. Louis Shotridge: Preserver of Tlingit History and Culture Lucy Fowler Williams 3. This Is Kuxaankutaan’s (Dr. Frederica de Laguna’s) Song Chew Shaa (Elaine Abraham) and Daxootsu (Judith Ramos) 4. Mark Jacobs Jr./Gusht’ei’héen (1923–2005) Harold Jacobs 5. X’eigaa Kaa (Tlingit Warrior) Harold Jacobs 6. Mark Jacobs Jr./Gusht’eihéen: My Teacher, Friend, and Older Brother Sergei Kan 7. World War II Scuttlebutt: Naval Section Bases, Southeast Alaska Mark Jacobs Jr. 8. Poems by Andrew Hope III Introduced by Ishmael Hope 9. As Long as the Work Gets Done Peter Metcalfe 10. Revival and Survival: Two Lifetimes in Tlingit Nora Marks Dauenhauer and Richard Dauenhauer Part 2. Native History 11. Tlingit Interaction with Other Native Alaskan and Northwest Coast Ethnic Groups before and during the Russian Era Elena Piterskaya 12. Relating Deep Genealogies, Traditional History, and Early Documentary Records in Southeast Alaska: Questions, Problems, and Progress Judith Berman 13. Whose Justice? Traditional Tlingit Law and the Deady Code Diane Purvis 14. Bringing to Light a Counternarrative of Our History: B. A. Haldane, Nineteenth-Century Tsimshian Photographer Mique’l Icesis Dangeli Part 3. Subsistence, Natural Resources, and Ethnogeography 15. Haida and Tlingit Use of Seabirds from the Forrester Islands, Southeast Alaska Madonna L. Moss 16. Deiki Noow: Tlingit Cultural Heritage in the Hazy Islands Steve J. Langdon 17. Place as Education’s Source Thomas F. Thornton Part 4. Material Culture, Art, and Tourism 18. Skidegate Haida House Models Robin K. Wright 19. The Evolution of Tlingit Daggers Ashley Verplank McClelland 20. Tourists and Collectors: The New Market for Tlingit and Haida Jewelry at the Turn of the Century Kathryn Bunn-Marcuse 21. Opening the Drawer: Unpacking Tlingit Beadwork in Museum Collections and Beyond Megan A. Smetzer 22. Balancing Protocol and Law for Intellectual Property: Examples and Ethical Dilemmas from the Northwest Coast Art Market Alexis C. Bunten Part 5. Repatriation 23. A Killer Whale Comes Home: Neil Kúxdei woogoot, Kéet S’aaxw, Mark Jacobs Jr., and the Repatriation of a Clan Crest Hat from the Smithsonian Institution R. Eric Hollinger and Harold Jacobs 24. Building New Relationships with Tlingit Clans: Potlatch Loans, NAGPRA, and the Penn Museum Stacey O. Espenlaub Appendix Contributors Index
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