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Pop culture and the balladry of bedlam collide in this wry debut that volunteers a transfusion of the unpredictable to readers yearning for more than a muralized Olive Garden world. In [Sharps], a visit to the last Dollar Store becomes a meditation on the global supply chain. Unicorns and sarcophagi turn up in the most unlikely of places. Pushers shark outside of a short-staffed methadone clinic. A fan of Bill Callahan almost falls into New York's underbelly. Canmore moviegoers scoff at Alec Baldwin, and the Queen resembles Rip Torn. Joyously ominous, blissfully melancholic, Stevie Howell's…mehr

Produktbeschreibung
Pop culture and the balladry of bedlam collide in this wry debut that volunteers a transfusion of the unpredictable to readers yearning for more than a muralized Olive Garden world. In [Sharps], a visit to the last Dollar Store becomes a meditation on the global supply chain. Unicorns and sarcophagi turn up in the most unlikely of places. Pushers shark outside of a short-staffed methadone clinic. A fan of Bill Callahan almost falls into New York's underbelly. Canmore moviegoers scoff at Alec Baldwin, and the Queen resembles Rip Torn. Joyously ominous, blissfully melancholic, Stevie Howell's highly anticipated debut picks a street fight with language, half cut with its exuberant possibilities.
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Autorenporträt
Stevie Howell's poetry and literary criticism has appeared in publications throughout Canada and abroad. She has released two chapbooks, Royal and Ringsend, and a pamphlet entitled Looting the Museum. In 2013 Howell's poem "Brief Review" won the 2013 Arc Poetry Journal Critic's Desk Award. She has also been a finalist for the Montreal International Poetry Prize. For her day job, she works as an editor for Spacing magazine. She lives in Victoria.