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Shattering the Muses, Rainer J. Hanshe's third book, is a hybrid entity constructed of quotes, poetry, short essays, and visual art, including original works created expressly for the book by Italian artist Federico Gori. Fragmentary and elliptic, aphoristic & apothegmatic, Shattering the Muses explores, if not enacts, the eclipsing of the logos and creative force within individuals as well in the spheres of culture & civilization. Spanning a broad range of history, Shattering the Muses stages the fundamental chiasmic unity of creation and destruction as it occurs in individuals, whether a…mehr

Produktbeschreibung
Shattering the Muses, Rainer J. Hanshe's third book, is a hybrid entity constructed of quotes, poetry, short essays, and visual art, including original works created expressly for the book by Italian artist Federico Gori. Fragmentary and elliptic, aphoristic & apothegmatic, Shattering the Muses explores, if not enacts, the eclipsing of the logos and creative force within individuals as well in the spheres of culture & civilization. Spanning a broad range of history, Shattering the Muses stages the fundamental chiasmic unity of creation and destruction as it occurs in individuals, whether a result of choice, tragic events, and/or social, religious, or political exigencies. It also enumerates the destruction of individual artworks, museums, and the various biblioclasms enacted by numerous cultures from biblical times till today. When do individuals and cultures rise out of catastrophe and destruction, and when do they descend into silence, either temporarily, or (possibly) permanently, and thus remain forever shattered If language or the creative force is a dwelling place, conversely, when it disintegrates, or is rendered inoperative, or when we as individuals or as a civilization are split from it - this is the ultimate form of the Unheimlich, an extreme cataclysm out of which there is often no return. Hanshe proposes that "apocalypses" are not eschatological, but ontological, ever-present, continuous events that threaten us. Hope before disaster, creation in the midst of inevitable evaporation. Shattering the Muses is a paean to the book, a work of mourning and of threat, where the fragility of consciousness, of art as a positive power, is an ephemeral but stalwart citadel against barbarism.
Autorenporträt
Rainer J. Hanshe is a writer and the founder of Contra Mundum Press and the journal Hyperion: On the Future of Aesthetics. He is the author of two novels, The Acolytes (2010) and The Abdication (2012), and the editor of Richard Foreman's Plays with Films (2013) and Wordsworth's Fragments (2014). He is also the author of the hybrid entity Shattering the Muses (2016), a collaboration with visual artist Federico Gori, Closing Melodies (2023), a phantomatic encounter between Nietzsche & Van Gogh, and Dionysos Speed (2024). Work of his has appeared in Caesura, Sinn und Form, ChrisMarker.org, Asymptote, Black Sun Lit's Vestiges, and elsewhere. In 2016, Petite Plaisance published an Italian translation of his second novel, The Abdication. Shorter and longer works of his have been translated into other languages, and in 2021, the journal Po&sie staged an event at Maison de la poésie in Paris to honor his work. His own translations include Baudelaire's My Heart Laid Bare (2017; 2020), Belgium Stripped Bare (2019), and Paris Spleen (2021), Évelyne Grossman's The Creativity of the Crisis, and Antonin Artaud's Journey to Mexico: Revolutionary Messages, as well as longer and shorter works by other authors. His translation of Léon-Paul Fargue's High Solitude is forthcoming in 2024. Beyond Sense, a vatic exploration of the aphasiac disintegration of Hölderlin, Baudelaire, Nietzsche, and Artaud, is forthcoming in 2025, The Accumulating Wreckage: Poems, Essays, & Other Texts in 2026, and Paris Without End: Assorted Translations From Giacometti to Artaud: 1914-1964 in 2027. He is at work on a new book entitled Humanimality. Author site: literaryabsolute.com