22,99 €
inkl. MwSt.

Versandfertig in 1-2 Wochen
payback
11 °P sammeln
  • Broschiertes Buch

Walking and movement artists often stumble when they describe the modes and registers of perception and expression they adopt in their practice. The attempt to represent their experience can end in a kind of somatic soup. Crab & Bee eschew the soup and, in this little book of poems and essays − the prequel to their forthcoming book The Pattern (2020) - they give us clear hints of where and how they find and make meaning in their work. They tell us, for example, that: the interpenetration of our human lives with the movement of the planet's watery channels (seas, rivers, underground…mehr

Produktbeschreibung
Walking and movement artists often stumble when they describe the modes and registers of perception and expression they adopt in their practice. The attempt to represent their experience can end in a kind of somatic soup. Crab & Bee eschew the soup and, in this little book of poems and essays − the prequel to their forthcoming book The Pattern (2020) - they give us clear hints of where and how they find and make meaning in their work. They tell us, for example, that: the interpenetration of our human lives with the movement of the planet's watery channels (seas, rivers, underground watercourses, etc.) is constant, ubiquitous and important ¿ the movement of water connects so-called 'privileged points', actual landscape features and actual moments whose existence and potency has been keenly experienced by humans, more anciently than recently By reconnecting with the movement of the waters and with these privileged points, Crab & Bee re-engage with a 'magical mode'. This is what they invite us to share in their walks, prose and poetry. They suggest that the challenge (not just for walking artists but for all of us in a climate emergency) is to dissolve our artistic or habitual/life practice, to "sink into the dark forest beneath our feet", to embed ourselves in the grander patterns, systems and flows of our wet planet, to "feel our way, but also to allow what we feel to feel us, and direct us by its flows". In this book they give us a glimpse of how to do exactly that.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
phil smith is completely post-everything-he is SO after that. formerly a big deal perfesser guy, with teaching gigs in vermont, michigan, and illinois, he slipped disability and mad studies cranky rants into courses he taught. at eastern michigan university, as a full professer, somewhat implausibly, he was director of the brehm center for special education scholarship and research, and head of the department of special education. phil received the 2002 vermont crime victim service award, the emerging scholar award in disability studies in education in 2009, and the eastern michigan university college of education innovative scholarship award in 2015. he studied creative writing at a couple of universities, as well as photography, filmmaking, and education. a poet, playwright, novelist, and visual and performance artist, his creative books include pomes; plaze; hagiography, or the electron; hats; keweenaw bay songs; landscapes; machines; doors and walls and windows; still life; the reach; this place is north; poems come; and cutting wood.phil describes himself as a Mad and Critical Disability Studies scholar, as well as a whatever-comes-after-qualitative researcher. his academic work includes two books exploring disability studies, Whatever Happened to Inclusion? The Place of Students with Intellectual Disabilities in Education and Both Sides of the Table: Autoethnographies of Educators Learning and Teaching With/In [Dis]ability; as well as a textbook entitled, Disability and Diversity: An Introduction. his book, writhing writing: moving towards a mad poetics, published by Autonomous Press, won the 2020 American Educational Studies Association Critics Choice Award. he's edited another book for Autonomous Press, Tinfoil Hats: Stories by Mad People in an Insane World.for more than 25 years, in a variety of contexts and roles, he worked as a Disability and Mad justice activist, and served on the boards of directors of a number of regional, state and local organizations, including the Society for Disability Studies, where he was President.he's Mad (but not, mostly, angry) as hell, a walkie, and identifies as disabled. a life-long Yankee, he lived for a coupla decades in Michigan, spending as much time as he could beside Lake Superior, where loons, wolves, moose, and bald eagles peeked in the windows of his cabin. now he lives on the side of a mountain at 1800 feet, in an even smaller cabin without a toilet or running water, fussing and ranting with his tree and animal neighbors.