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Essay from the year 2017 in the subject Literature - Africa, University of Botswana, language: English, abstract: The African continent is synonymous with war and women are caught up in it in the perpetual role of the victim. African literature in the pre colonial and colonial period has tended to be very intransigent in its portrayal of females in times of conflict. The African writer has created a fragmented female. This character is often bartered, manipulated or presented as lovesick in conflict situations creating a flawed and destructive image of the African woman. I argue that writers…mehr

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Produktbeschreibung
Essay from the year 2017 in the subject Literature - Africa, University of Botswana, language: English, abstract: The African continent is synonymous with war and women are caught up in it in the perpetual role of the victim. African literature in the pre colonial and colonial period has tended to be very intransigent in its portrayal of females in times of conflict. The African writer has created a fragmented female. This character is often bartered, manipulated or presented as lovesick in conflict situations creating a flawed and destructive image of the African woman. I argue that writers of African literature exposing the violent conflict of colonialism and liberation have a pessimistic outlook on the role of women in war which has hindered the empowerment of women. I will use Psychoanalysis and its concept on the life and death instincts to account for why sex and identity dominates the portrayal of women in pre-colonial and colonial literature. African writers have created a situation where conflict necessitates a sexual definition of the female character. Women thus possess a paradoxical identity of being sensual and consuming of the male phallus which ultimately breaks and consumes them. The conflict resolution is such that sex seems to logically place and displace ideas of sexuality and its impact on the female character.
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Autorenporträt
Wazha Lopang is a lecturer in the Department of English at the University of Botswana. His area of interest is oral literature and the gender politics within. He has written articles arguing that the African trickster is androgynous and not male as some storytellers and listeners believe. He is co-editor and contributor of AMANTLE! , a book that focuses on Botswana Literature. Currently he is working on how the dislocation of minorities affects rituals that involve species alien to their new environment.. He has published a short story for The Caine Prize Workshop (2013), The Strange Dance of The Calabash. He was the winner of the 2015 Poetavango short story competition for his story, The Small Matter of the Jelly. He was second runner up in the 2012 Bessie Head Competition. His novel, The Guardian of the Spirit Stone was published online by Just Fiction.