Sherrie Levine: After Reinhardt
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The renowned American artist Levine engages her ongoing practice of appropriating artworks from the Western art-historical canon--this time taking Ad Reinhardt's Blue Paintings as a point of departure. The author has created abstract restatements of the 28 works that were on view, making use of pixilation to consolidate the range of blue tones in each painting into a single, truly monochromatic value.alue.

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Produktbeschreibung
The renowned American artist Levine engages her ongoing practice of appropriating artworks from the Western art-historical canon--this time taking Ad Reinhardt's Blue Paintings as a point of departure. The author has created abstract restatements of the 28 works that were on view, making use of pixilation to consolidate the range of blue tones in each painting into a single, truly monochromatic value.alue.
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Autorenporträt
Sherrie Levine’s (b. 1947) work engages many of the core tenets of postmodern art, incisively challenging notions of originality, authenticity, and identity. Since the late 1970s, she has created a singular and complex oeuvre using a variety of media, including photography, painting, and sculpture. Many of her works are explicitly appropriated from artworks within the modernist canon, while others are more general in their references, assimilating art historical interests and concerns rather than specific objects. Some of Levine’s earliest work was included in Pictures, an important exhibition at Artists Space in New York in 1977 curated by Douglas Crimp that came to define The Pictures Generation—a group of artists examining the structures of signification underlying any image.