With large-scale urban expansion and population density a challenge for cities within Brazil and globally, how we deal with socio-economic and cultural differences is of increasing concern for those aspiring towards durable cohabitations of urban space in the twenty-first century. Shifting Horizons is an interdisciplinary investigation of the treatment of social difference in documentary and its potential to impact change. The documentary realm has historically provided a forum for the representation and interrogation of socio-economic inequalities. But nowadays the desire for change embedded…mehr
With large-scale urban expansion and population density a challenge for cities within Brazil and globally, how we deal with socio-economic and cultural differences is of increasing concern for those aspiring towards durable cohabitations of urban space in the twenty-first century. Shifting Horizons is an interdisciplinary investigation of the treatment of social difference in documentary and its potential to impact change. The documentary realm has historically provided a forum for the representation and interrogation of socio-economic inequalities. But nowadays the desire for change embedded in the documentary tradition of conscientização collides continually with a widespread disbelief in the power of such imagery to effect social or political change. Shifting Horizons examines this collision through the lens of recent Brazilian works portraying traditionally "marginalised" urban spaces. The book bridges the domains of film and still photography to introduce a range of innovative and highly contemporary artists, filmmakers, and cultural commentators, exploring their engagement with concepts of segregation, integration and relationality. Ultimately asking: how can we think about transformation in social documentary practice and production today?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alice Allen is a specialist in contemporary Brazilian visual culture with a background in Modern European languages, and a documentary Producer. She has worked in the British broadcasting industry since 2013 on domestic and international productions for the BBC and Channel 4, including BAFTA-winning My Son the Jihadi and Stacey Dooley's Sex in Strange Places: Brazil. She is a founding member of Watersprite Film Festival in Cambridge, which she co-directed in 2011, celebrating the best of international student short film.
Inhaltsangabe
Preface Acknowledgements Introduction Documentary Film, Conscientização and 'Socially Concerned' Production Cinema Novo and the 'Socially Concerned' Precedent Back to the Future Thinking about Documentary Documentary Photography and Photojournalism Photography as a Vehicle for Social Change A Common Dynamic Drawing Boundaries CHAPTER 1-Wasteland Introduction Modernism,Waste Materials and an Aesthetic of the Fragment 'Jardim Gramacho' Contemplating your Rubbish's Home away from Home (In)visible Labour Nature and the Apocalyptic Landscape Estamira Dynamic Marginality The Body as a Battleground Lixo extraordinário Establishing Perspective and Identification Fertile Images: a Productive Revelation CHAPTER 2-The Human Warehouse Introduction The Prison in Cultural Production O prisioneiro da grade de ferro: auto-retratos Exercising Control Inside Out/Outside In: Perspective and Connectivity Inverting Myths 'Imprisoned Spaces' Access, Territory and Control Visible Absence/Invisible Presence Juízo Interchangeable Bodies: Authenticity and Performance Carceral Cycles: Caught in the Motions CHAPTER 3-Zones of Contestation Introduction Avenida Brasília Formosa Where Bodies Meet Machines Mapping the Neighbourhood São Paulo: Occupying the Centre '911' 'Morar' 'O muro' CHAPTER 4-Shifting Perspectives on/from the Morro Introduction 'Rio-Entre morros' Inapprehensible Landscapes An Anti-cartography: or Where Am I? Babilônia 2000 Imagens do Povo Upside Down Inside Out, or 'Stretching Limits' Resisting the Gaze Horizons Old and New Conclusion References Filmography Online Photography Collections
Preface Acknowledgements Introduction Documentary Film, Conscientização and 'Socially Concerned' Production Cinema Novo and the 'Socially Concerned' Precedent Back to the Future Thinking about Documentary Documentary Photography and Photojournalism Photography as a Vehicle for Social Change A Common Dynamic Drawing Boundaries CHAPTER 1-Wasteland Introduction Modernism,Waste Materials and an Aesthetic of the Fragment 'Jardim Gramacho' Contemplating your Rubbish's Home away from Home (In)visible Labour Nature and the Apocalyptic Landscape Estamira Dynamic Marginality The Body as a Battleground Lixo extraordinário Establishing Perspective and Identification Fertile Images: a Productive Revelation CHAPTER 2-The Human Warehouse Introduction The Prison in Cultural Production O prisioneiro da grade de ferro: auto-retratos Exercising Control Inside Out/Outside In: Perspective and Connectivity Inverting Myths 'Imprisoned Spaces' Access, Territory and Control Visible Absence/Invisible Presence Juízo Interchangeable Bodies: Authenticity and Performance Carceral Cycles: Caught in the Motions CHAPTER 3-Zones of Contestation Introduction Avenida Brasília Formosa Where Bodies Meet Machines Mapping the Neighbourhood São Paulo: Occupying the Centre '911' 'Morar' 'O muro' CHAPTER 4-Shifting Perspectives on/from the Morro Introduction 'Rio-Entre morros' Inapprehensible Landscapes An Anti-cartography: or Where Am I? Babilônia 2000 Imagens do Povo Upside Down Inside Out, or 'Stretching Limits' Resisting the Gaze Horizons Old and New Conclusion References Filmography Online Photography Collections
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