Art historian Krista Thompson analyzes photographic practices in the Caribbean and the United States to show how African diasporic youth use the process of creating images to represent themselves in the public sphere and to communicate with other Afro-diasporic communities.
Art historian Krista Thompson analyzes photographic practices in the Caribbean and the United States to show how African diasporic youth use the process of creating images to represent themselves in the public sphere and to communicate with other Afro-diasporic communities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Illustrations ix Acknowledgments xv Introduction. Of Shine, Bling, and Bixels 1 1. "Keep It Real": Street Photography, Public Visibility, and Afro-Modernity 47 2. Video Light: Dancehall and the Aesthetics of Spectacular Un-visibility in Jamaica 112 3. Shine, Shimmer, and Splendor: African Diasporic Aesthetics and the Art of Being Seen in the Bahamas 169 4. The Sound of Light: Reflections on Art History in the Visual Culture of Hip-Hop 215 Notes 271 Bibliography 317 Index 335
List of Illustrations ix Acknowledgments xv Introduction. Of Shine, Bling, and Bixels 1 1. "Keep It Real": Street Photography, Public Visibility, and Afro-Modernity 47 2. Video Light: Dancehall and the Aesthetics of Spectacular Un-visibility in Jamaica 112 3. Shine, Shimmer, and Splendor: African Diasporic Aesthetics and the Art of Being Seen in the Bahamas 169 4. The Sound of Light: Reflections on Art History in the Visual Culture of Hip-Hop 215 Notes 271 Bibliography 317 Index 335
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