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This collection of critical essays and interviews gives an overview of the various kinds of medial manifestations which Shakespeare's work has been transferred into over the centuries: into a theatrical performance, a printed text, a painting, an opera, an audio book, a film, a radio or television drama, a website. On the whole this overview also provides a history of the general development of Shakespearean media. Practitioners as well as scholars focus on the strengths and weaknesses, the possibilities and limitations of each medium with regard to the representation of Shakespeare's work.

Produktbeschreibung
This collection of critical essays and interviews gives an overview of the various kinds of medial manifestations which Shakespeare's work has been transferred into over the centuries: into a theatrical performance, a printed text, a painting, an opera, an audio book, a film, a radio or television drama, a website. On the whole this overview also provides a history of the general development of Shakespearean media. Practitioners as well as scholars focus on the strengths and weaknesses, the possibilities and limitations of each medium with regard to the representation of Shakespeare's work.
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Autorenporträt
Jörg Helbig, Studium der Anglistik, Romanistik und Philosophie; Promotion 1987, Habilitation 1994; 1985 bis 2004 Dozent an den Universitäten FU Berlin, Halle-Wittenberg, Trier, HU Berlin und Köln; seit 2004 Professor für Anglistische und Amerikanistische Literatur- und Kulturwissenschaft an der Alpen-Adria-Universität Klagenfurt; zahlreiche literatur- und medienwissenschaftliche Veröffentlichungen.