"The details—that's what the world is made of." – Wes Anderson Now, you can bring your own Wes Anderson fantasy to life with Shoot Like Wes, the essential guide to transforming the mundane into cinematic magic. Discover how to create kaleidoscopic, storytelling stills worthy of the big screen and capture the extraordinary in every ordinary moment.
"The details—that's what the world is made of." – Wes Anderson Now, you can bring your own Wes Anderson fantasy to life with Shoot Like Wes, the essential guide to transforming the mundane into cinematic magic. Discover how to create kaleidoscopic, storytelling stills worthy of the big screen and capture the extraordinary in every ordinary moment. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Adam Woodward is Editor-at-Large at Little White Lies magazine, the leading independent voice in film. Liz Seabrook is a portrait and lifestyle photographer who works around the world. Part photographer, part storyteller, the warmth of her pictures asks the viewer to sit down and join in the conversation with whoever sits opposite her lens. She works across editorial and advertising for a range of clients including The Guardian, Marie Curie and Conde Nast Traveller.
Inhaltsangabe
Foreword by Robert Yeoman, cinematographer Foreword by Laura Wilson, photographer Introduction + Things to Consider Before You Begin Chapter 1. Bottle Rocket (1996): How to use natural light Chapter 2. Rushmore (1998): How to use colour Chapter 3. The Royal Tenenbaums (2001): How to use God’s-eye view Chapter 4. The Life Aquatic with Steve Zissou (2004): How to use a wide-angle Chapter 5. The Darjeeling Limited (2007): How to shoot group portraits Chapter 6. Fantastic Mr. Fox (2009): How to use a low-angle Chapter 7. Moonrise Kingdom (2012): How to shoot close-ups Chapter 8. The Grand Budapest Hotel (2014): How to create symmetry Chapter 9. Isle of Dogs (2018): How to use first-person POV Chapter 10. The French Dispatch (2021): How to use props Chapter 11. Asteroid City (2023): How to shoot buildings Recommendations Filmography Index
Foreword by Robert Yeoman, cinematographer Foreword by Laura Wilson, photographer Introduction + Things to Consider Before You Begin Chapter 1. Bottle Rocket (1996): How to use natural light Chapter 2. Rushmore (1998): How to use colour Chapter 3. The Royal Tenenbaums (2001): How to use God’s-eye view Chapter 4. The Life Aquatic with Steve Zissou (2004): How to use a wide-angle Chapter 5. The Darjeeling Limited (2007): How to shoot group portraits Chapter 6. Fantastic Mr. Fox (2009): How to use a low-angle Chapter 7. Moonrise Kingdom (2012): How to shoot close-ups Chapter 8. The Grand Budapest Hotel (2014): How to create symmetry Chapter 9. Isle of Dogs (2018): How to use first-person POV Chapter 10. The French Dispatch (2021): How to use props Chapter 11. Asteroid City (2023): How to shoot buildings Recommendations Filmography Index
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