These eleven essays lay a foundation for a proper understanding of Shostakovich's musical language and provide new insights into issues surrounding his composition.
These eleven essays lay a foundation for a proper understanding of Shostakovich's musical language and provide new insights into issues surrounding his composition.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgements 1. Introduction: talking about eggs: musicology and Shostakovich David Fanning 2. Public lies and unspeakable truth: interpreting Shostakovich's Fifth Symphony Richard Taruskin 3. Form in Shostakovich's instrumental works Yuriy Kholopov 4. Russian theorists on modality in Shostakovich's music Ellon D. Carpenter 5.The cycle of structure and the cycle of meaning: the Piano Trio in E Minor, Op. 67 Patrick McCreless 6. Leitmotif in Lady Macbeth David Fanning 7. From Lady Macbeth to Katerina: Shostakovich's versions and revisions Laurel E. Fay 8. The Golden Age: the true story of the première Manashir Yakubov 9. 'And art made tongue-tied by authority': Shostakovich's song-cycles Dorothea Redepenning 10. A debt repaid? Some observations on Shostakovich and his late-period recognition of Britten Eric Roseberry 11. Shostakovich and Schnittke: the erosion of symphonic syntax Alexander Ivashkin Index.
Acknowledgements 1. Introduction: talking about eggs: musicology and Shostakovich David Fanning 2. Public lies and unspeakable truth: interpreting Shostakovich's Fifth Symphony Richard Taruskin 3. Form in Shostakovich's instrumental works Yuriy Kholopov 4. Russian theorists on modality in Shostakovich's music Ellon D. Carpenter 5.The cycle of structure and the cycle of meaning: the Piano Trio in E Minor, Op. 67 Patrick McCreless 6. Leitmotif in Lady Macbeth David Fanning 7. From Lady Macbeth to Katerina: Shostakovich's versions and revisions Laurel E. Fay 8. The Golden Age: the true story of the première Manashir Yakubov 9. 'And art made tongue-tied by authority': Shostakovich's song-cycles Dorothea Redepenning 10. A debt repaid? Some observations on Shostakovich and his late-period recognition of Britten Eric Roseberry 11. Shostakovich and Schnittke: the erosion of symphonic syntax Alexander Ivashkin Index.
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