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Philip Norman's SHOUT! is the original definitive work on the Fab Four - brilliantly written, encapsulating an era, and reflecting close personal working relationships with each of the protagonists.
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Philip Norman's SHOUT! is the original definitive work on the Fab Four - brilliantly written, encapsulating an era, and reflecting close personal working relationships with each of the protagonists.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Pan Macmillan
- Seitenzahl: 546
- Erscheinungstermin: 18. Juni 2004
- Englisch
- Abmessung: 203mm x 127mm x 32mm
- Gewicht: 602g
- ISBN-13: 9780330487689
- ISBN-10: 033048768X
- Artikelnr.: 21130513
- Verlag: Pan Macmillan
- Seitenzahl: 546
- Erscheinungstermin: 18. Juni 2004
- Englisch
- Abmessung: 203mm x 127mm x 32mm
- Gewicht: 602g
- ISBN-13: 9780330487689
- ISBN-10: 033048768X
- Artikelnr.: 21130513
PHILIP NORMAN has an international reputation as a chronicler of pop music and culture. Shout!, his ground-breaking biography of the Beatles, has remained continuously in print, selling more than one million copies, and was recently listed by Waterstones bookshops as one of the 100 best biographies in any genre. He has since written acclaimed books about the Rolling Stones. Elton John, Buddy Holly John Lennon, Mick Jagger, Sir Paul McCartney, Eric Clapton and Jimi Hendrix. Philip is also an award-winning fiction-writer (included among the first Top 20 'Best of Young British Novelists') and a playwright whose works have appeared on BBC2 and Radio 4. He has also written two musicals. Philip currently lives in London.
Acknowledgements
i: Acknowledgements Section
ii: Prologue September 2001: Across the Universe Unit
i: Part One: WISHING Chapter
1: 'He was the one I'd waited for' Chapter
2: 'Quarry Men, strong before our birth' Chapter
3: 'If I'd just said a few more words, it might have saved her' Chapter
4: 'The bass drum used to roll away across the stage' Chapter
5: The Great Freedom Chapter
6: 'Hi, all you Cavern
dwellers. Welcome to the best of cellars' Unit
ii: Part Two: GETTING Chapter
7: 'What brings Mr Epstein here?' Chapter
8: 'Elvis's manager calling Brian Epstein in Birkenhead' Chapter
9: 'Somebody had to pay for those 10,000 records Brian bought' Chapter
10: 'Four frenzied Little Lord Fauntleroys who are earning £5,000 a week' Chapter
11: 'Even the jelly babies are symbolic' Chapter
12: 'They've got everything over there. What do they want us for?' Unit
iii: Part Three: HAVING Chapter
13: 'One more stage, one more limo, one more run for your life' Chapter
14: 'This is it. This is the last one ever' Chapter
15: 'I don't think there was any hope for him since the day he met the Beatles' Unit
iv: Part Four: WASTING Chapter
16: 'We've got to spend two million or the taxman will get it' Chapter
17: 'Your finances are in a mess. Apple is in a mess' Chapter
18: 'The Beatles are the biggest bastards in the world' Chapter
19: 'Everybody saw the sunshine' Unit
v: Part Five: LASTING Chapter
20: 'I just believe in me. Yoko and me' Chapter
21: 'The freaks was right when they said you was dead' Chapter
22: 'It don't come easy' Index
iii: Index
i: Acknowledgements Section
ii: Prologue September 2001: Across the Universe Unit
i: Part One: WISHING Chapter
1: 'He was the one I'd waited for' Chapter
2: 'Quarry Men, strong before our birth' Chapter
3: 'If I'd just said a few more words, it might have saved her' Chapter
4: 'The bass drum used to roll away across the stage' Chapter
5: The Great Freedom Chapter
6: 'Hi, all you Cavern
dwellers. Welcome to the best of cellars' Unit
ii: Part Two: GETTING Chapter
7: 'What brings Mr Epstein here?' Chapter
8: 'Elvis's manager calling Brian Epstein in Birkenhead' Chapter
9: 'Somebody had to pay for those 10,000 records Brian bought' Chapter
10: 'Four frenzied Little Lord Fauntleroys who are earning £5,000 a week' Chapter
11: 'Even the jelly babies are symbolic' Chapter
12: 'They've got everything over there. What do they want us for?' Unit
iii: Part Three: HAVING Chapter
13: 'One more stage, one more limo, one more run for your life' Chapter
14: 'This is it. This is the last one ever' Chapter
15: 'I don't think there was any hope for him since the day he met the Beatles' Unit
iv: Part Four: WASTING Chapter
16: 'We've got to spend two million or the taxman will get it' Chapter
17: 'Your finances are in a mess. Apple is in a mess' Chapter
18: 'The Beatles are the biggest bastards in the world' Chapter
19: 'Everybody saw the sunshine' Unit
v: Part Five: LASTING Chapter
20: 'I just believe in me. Yoko and me' Chapter
21: 'The freaks was right when they said you was dead' Chapter
22: 'It don't come easy' Index
iii: Index
Acknowledgements
i: Acknowledgements Section
ii: Prologue September 2001: Across the Universe Unit
i: Part One: WISHING Chapter
1: 'He was the one I'd waited for' Chapter
2: 'Quarry Men, strong before our birth' Chapter
3: 'If I'd just said a few more words, it might have saved her' Chapter
4: 'The bass drum used to roll away across the stage' Chapter
5: The Great Freedom Chapter
6: 'Hi, all you Cavern
dwellers. Welcome to the best of cellars' Unit
ii: Part Two: GETTING Chapter
7: 'What brings Mr Epstein here?' Chapter
8: 'Elvis's manager calling Brian Epstein in Birkenhead' Chapter
9: 'Somebody had to pay for those 10,000 records Brian bought' Chapter
10: 'Four frenzied Little Lord Fauntleroys who are earning £5,000 a week' Chapter
11: 'Even the jelly babies are symbolic' Chapter
12: 'They've got everything over there. What do they want us for?' Unit
iii: Part Three: HAVING Chapter
13: 'One more stage, one more limo, one more run for your life' Chapter
14: 'This is it. This is the last one ever' Chapter
15: 'I don't think there was any hope for him since the day he met the Beatles' Unit
iv: Part Four: WASTING Chapter
16: 'We've got to spend two million or the taxman will get it' Chapter
17: 'Your finances are in a mess. Apple is in a mess' Chapter
18: 'The Beatles are the biggest bastards in the world' Chapter
19: 'Everybody saw the sunshine' Unit
v: Part Five: LASTING Chapter
20: 'I just believe in me. Yoko and me' Chapter
21: 'The freaks was right when they said you was dead' Chapter
22: 'It don't come easy' Index
iii: Index
i: Acknowledgements Section
ii: Prologue September 2001: Across the Universe Unit
i: Part One: WISHING Chapter
1: 'He was the one I'd waited for' Chapter
2: 'Quarry Men, strong before our birth' Chapter
3: 'If I'd just said a few more words, it might have saved her' Chapter
4: 'The bass drum used to roll away across the stage' Chapter
5: The Great Freedom Chapter
6: 'Hi, all you Cavern
dwellers. Welcome to the best of cellars' Unit
ii: Part Two: GETTING Chapter
7: 'What brings Mr Epstein here?' Chapter
8: 'Elvis's manager calling Brian Epstein in Birkenhead' Chapter
9: 'Somebody had to pay for those 10,000 records Brian bought' Chapter
10: 'Four frenzied Little Lord Fauntleroys who are earning £5,000 a week' Chapter
11: 'Even the jelly babies are symbolic' Chapter
12: 'They've got everything over there. What do they want us for?' Unit
iii: Part Three: HAVING Chapter
13: 'One more stage, one more limo, one more run for your life' Chapter
14: 'This is it. This is the last one ever' Chapter
15: 'I don't think there was any hope for him since the day he met the Beatles' Unit
iv: Part Four: WASTING Chapter
16: 'We've got to spend two million or the taxman will get it' Chapter
17: 'Your finances are in a mess. Apple is in a mess' Chapter
18: 'The Beatles are the biggest bastards in the world' Chapter
19: 'Everybody saw the sunshine' Unit
v: Part Five: LASTING Chapter
20: 'I just believe in me. Yoko and me' Chapter
21: 'The freaks was right when they said you was dead' Chapter
22: 'It don't come easy' Index
iii: Index