Examines the role of media technologies in shaping urban Africa through an ethnographic study of popular culture in northern Nigeria.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Brian Larkin is Associate Professor of Anthropology at Barnard College, Columbia University. He is a coeditor of Media Worlds: Anthropology on New Terrain.
Inhaltsangabe
Acknowledgments ix Introduction 1 1. Infrastructure, the Colonial Sublime, and Indirect Rule 16 2. Unstable Objects: The Making of Radio in Nigeria 48 3. Majigi, Colonial Film, State Publicity, and the Political Form of Cinema 73 4. Colonialism and the Built Space of Cinema 123 5. Immaterial Urbanism and the Cinematic Event 146 6. Extravagant Aesthetics: Instability and the Excessive World of Nigerian Film 168 7. Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy 217 Conclusion 242 Notes 257 Bibliography 277 Index 301
Acknowledgments ix Introduction 1 1. Infrastructure, the Colonial Sublime, and Indirect Rule 16 2. Unstable Objects: The Making of Radio in Nigeria 48 3. Majigi, Colonial Film, State Publicity, and the Political Form of Cinema 73 4. Colonialism and the Built Space of Cinema 123 5. Immaterial Urbanism and the Cinematic Event 146 6. Extravagant Aesthetics: Instability and the Excessive World of Nigerian Film 168 7. Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy 217 Conclusion 242 Notes 257 Bibliography 277 Index 301
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