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Shakespearean tragedy and Dracula, Sherlock Holmes and Ulysses, Frankenstei and The Waste Land—all are celebrated “wonders” of modern literature, whether in its mandarin or popular form. However, it is the fact that these texts are so central to our contemporary notion of literature that sometimes hinders our ability to understand them. Franco Moretti applies himself to this problem by drawing skillfully on structuralist, sociological and psycho-analytic modes of enquity in order to read these texts as literary systems which are tokens of wider cultural and political realities. In the process,…mehr

Produktbeschreibung
Shakespearean tragedy and Dracula, Sherlock Holmes and Ulysses, Frankenstei and The Waste Land—all are celebrated “wonders” of modern literature, whether in its mandarin or popular form. However, it is the fact that these texts are so central to our contemporary notion of literature that sometimes hinders our ability to understand them. Franco Moretti applies himself to this problem by drawing skillfully on structuralist, sociological and psycho-analytic modes of enquity in order to read these texts as literary systems which are tokens of wider cultural and political realities. In the process, Moretti offers us compelling accounts of various literary genres, explores the relationships between high and mass culture in this century, and considers the relevance of tragic, Romantic and Darwinian views of the world.
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Autorenporträt
Franco Moretti is a Professor Emeritus at Stanford, where he founded the Center for the Study of the Novel and the Literary Lab. He writes regularly for New Left Review and is a Permanent Fellow of the Wissenschaftskolleg zu Berlin. He is the author of, among other books, Far Country, The Bourgeois and Graphs, Maps, Trees. His work has been translated into more than twenty languages. His book Distant Reading won the 2013 National Book Critics Circle Award for Criticism.