Silas Marner - Eliot, George
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Mary Anne Evans took the pen name George Eliot to prevent her being pigeon-holed as an author of 'light romantic fiction' the only branch of literature open to females in the England of her time. Published in 1861, Eliot uses Silas Marner to skillfully portray the turmoil of the Industrial Revolution, and her own trenchant views on politics, religion and the hypocrisy of the gentry. But in its essence, the book concerns human redemption, telling the tale of an embittered lonely man, crushed by unjust fortune, whose world is utterly changed by his care and love for an orphan child.

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Produktbeschreibung
Mary Anne Evans took the pen name George Eliot to prevent her being pigeon-holed as an author of 'light romantic fiction' the only branch of literature open to females in the England of her time. Published in 1861, Eliot uses Silas Marner to skillfully portray the turmoil of the Industrial Revolution, and her own trenchant views on politics, religion and the hypocrisy of the gentry. But in its essence, the book concerns human redemption, telling the tale of an embittered lonely man, crushed by unjust fortune, whose world is utterly changed by his care and love for an orphan child.
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Autorenporträt
Mary Ann Evans (22 November 1819 - 22 December 1880; alternatively Mary Anne or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era. She wrote seven novels, Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862-63), Felix Holt, the Radical (1866), Middlemarch (1871-72) and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes. Middlemarch has been described by the novelists Martin Amis and Julian Barnes[4] as the greatest novel in the English language.