SILAS MARNER - Eliot, George
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Silas Marner: The Weaver of Raveloe is the third novel by George Eliot. It was published in 1861. An outwardly simple tale of a linen weaver, the novel is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community. Silas Marner is a story of loss, alienation, and redemption that combines elements of fairy tale and myth with realism and humor. Set in the fictional village of Raveloe, it centers on Silas Marner, a weaver who is forced to leave his hometown in the north after being falsely accused of theft by…mehr

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Produktbeschreibung
Silas Marner: The Weaver of Raveloe is the third novel by George Eliot. It was published in 1861. An outwardly simple tale of a linen weaver, the novel is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community. Silas Marner is a story of loss, alienation, and redemption that combines elements of fairy tale and myth with realism and humor. Set in the fictional village of Raveloe, it centers on Silas Marner, a weaver who is forced to leave his hometown in the north after being falsely accused of theft by members of his chapel. His religious faith gone, for fifteen years Marner isolates himself from the life of the village and becomes a miser. But when the gold that he cherishes is stolen, and he adopts a child whose mother has just died, his life changes dramatically for the better.
Autorenporträt
Mary Anne Evans (22 November 1819 - 22 December 1880; alternatively Mary Ann or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862-63), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.