Silent Film offers some of the best recent essays on silent cinema, essays that cross disciplinary boundaries and break new ground in a variety of ways. Some focus on the "materiality" of early cinema: the color processes used in printing nitrate film stocks, the choreographic styles of film acting, and the wide range of sound accompaniment. Others focus on questions of periodicity and nationality: on the shift from a "cinema of attractions" to a "classical narrative cinema," on the relationship between changes in production and those in exhibition, and on the historical specificity of national cinemas. …mehr
Silent Film offers some of the best recent essays on silent cinema, essays that cross disciplinary boundaries and break new ground in a variety of ways. Some focus on the "materiality" of early cinema: the color processes used in printing nitrate film stocks, the choreographic styles of film acting, and the wide range of sound accompaniment. Others focus on questions of periodicity and nationality: on the shift from a "cinema of attractions" to a "classical narrative cinema," on the relationship between changes in production and those in exhibition, and on the historical specificity of national cinemas.
Introduction The Materiality of Silent Cinema The Color of Nitrate: Some Factual Observations on Tinting and Toning Manuals for Silent Films The Sound of Silents Kuleshov's Experiments and the New Anthropology of the Actor The Periodicity and Nationality of Silent Cinema "Now You See It, Now You Don't": The Temporality of the Cinema of Attractions Pre-Classical American Cinema: Its Changing Modes of Film Production Booming the Film Business: The Historical Specificity of Early French Cinema Cinema as Anti-Theater: Actresses and Female Audiences in Wilhelmianian Germany Theorizing a Cultural History of Silent Cinema Dickens, Griffith, and Film Theory Today Female Power in the Serial-Queen Melodrama: The Etiology of an Anomaly Russia, 1913: Cinema in the CUltural Landscape Intertextuality and Reception in Silent Cinema Dante's Inferno and Caesar's Ghost: Intertextuality and Condiitons of Reception in Early American Cinema "The Finest Outside the Loop": Motion Picture Exhibition in Chicago's Black Metropolis, 1905-1928 The Perils of Pleasure? Fan Magazine Discourse as Women's Commodified Culture in the 1920s Selected Bibliography Contributors Index
Introduction The Materiality of Silent Cinema The Color of Nitrate: Some Factual Observations on Tinting and Toning Manuals for Silent Films The Sound of Silents Kuleshov's Experiments and the New Anthropology of the Actor The Periodicity and Nationality of Silent Cinema "Now You See It, Now You Don't": The Temporality of the Cinema of Attractions Pre-Classical American Cinema: Its Changing Modes of Film Production Booming the Film Business: The Historical Specificity of Early French Cinema Cinema as Anti-Theater: Actresses and Female Audiences in Wilhelmianian Germany Theorizing a Cultural History of Silent Cinema Dickens, Griffith, and Film Theory Today Female Power in the Serial-Queen Melodrama: The Etiology of an Anomaly Russia, 1913: Cinema in the CUltural Landscape Intertextuality and Reception in Silent Cinema Dante's Inferno and Caesar's Ghost: Intertextuality and Condiitons of Reception in Early American Cinema "The Finest Outside the Loop": Motion Picture Exhibition in Chicago's Black Metropolis, 1905-1928 The Perils of Pleasure? Fan Magazine Discourse as Women's Commodified Culture in the 1920s Selected Bibliography Contributors Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
