In Silent Topics, film historian Anthony Slide looks at various under-discussed and generally undocumented areas of silent film. The two lengthiest essays discuss the release of British silent films in the United States and the contribution of gays and lesbians to American silent film.
In Silent Topics, film historian Anthony Slide looks at various under-discussed and generally undocumented areas of silent film. The two lengthiest essays discuss the release of British silent films in the United States and the contribution of gays and lesbians to American silent film.
Chapter 1 Introduction Chapter 2 Chapter 1: British Silent Films in the United States Chapter 3 Chapter 2: Those Elusive Budget Figures Chapter 4 Chapter 3: Christianity Hollywood Style: Reverend Neal Dodd Chapter 5 Chapter 4: The "Great Events" Series Chapter 6 Chapter 5: The Silent Closet: Gays, Lesbians, and Silent Film Chapter 7 Chapter 6: Malcolm Lowry's Silent Film Connection: Margerie Bonner Chapter 8 Chapter 7: An Interview with David Mendoza Chapter 9 Chapter 8: Roy Pomeroy and the Beginnings of Special Effects Chapter 10 Chapter 9: Sheet Music of the Silent Stars Chapter 11 Chapter 10: They May Have Had Faces, But Did They Have Talent? Chapter 12 Appendix A: The Letters of Valeria Belletti Chapter 13 Appendix B: Contemporary Trade Paper Response to Classics of European Cinema at Their U.S. Release Chapter 14 Index Chapter 15 About the Author
Chapter 1 Introduction Chapter 2 Chapter 1: British Silent Films in the United States Chapter 3 Chapter 2: Those Elusive Budget Figures Chapter 4 Chapter 3: Christianity Hollywood Style: Reverend Neal Dodd Chapter 5 Chapter 4: The "Great Events" Series Chapter 6 Chapter 5: The Silent Closet: Gays, Lesbians, and Silent Film Chapter 7 Chapter 6: Malcolm Lowry's Silent Film Connection: Margerie Bonner Chapter 8 Chapter 7: An Interview with David Mendoza Chapter 9 Chapter 8: Roy Pomeroy and the Beginnings of Special Effects Chapter 10 Chapter 9: Sheet Music of the Silent Stars Chapter 11 Chapter 10: They May Have Had Faces, But Did They Have Talent? Chapter 12 Appendix A: The Letters of Valeria Belletti Chapter 13 Appendix B: Contemporary Trade Paper Response to Classics of European Cinema at Their U.S. Release Chapter 14 Index Chapter 15 About the Author
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