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Globally and nationally, the vast majority of professional singers work in the contemporary commercial music (CCM) industry, yet little is known about them as a population. CCM singers use a very different vocal production to their classical contemporaries, this difference being fuelled by specific style demands of the music and the disparate performance conditions of venue and environment. In this book Irene Bartlett has drawn from her extensive pedagogical work with CCM singers in private studio and tertiary settings and her life-long experience as a professional contemporary gig singer. Her…mehr

Produktbeschreibung
Globally and nationally, the vast majority of professional singers work in the contemporary commercial music (CCM) industry, yet little is known about them as a population. CCM singers use a very different vocal production to their classical contemporaries, this difference being fuelled by specific style demands of the music and the disparate performance conditions of venue and environment. In this book Irene Bartlett has drawn from her extensive pedagogical work with CCM singers in private studio and tertiary settings and her life-long experience as a professional contemporary gig singer. Her 'insider' knowledge of this significant group of professional voice users is supported by research data from her study of professional contemporary gig singers (PCGS) where the lived-experiences of the PCGS participants provided important generic contextual information about the challenges faced by the group as they grew and maintained their careers.
Autorenporträt
Dr Irene Bartlett is Coordinator of Jazz/Contemporary Vocal Studies and Vocal Pedagogy at the Queensland Conservatorium, Griffith University. Her teaching and research centres on the development of technique, vocal health and performance longevity for singers of CCM vocal styles. Additionally, Irene has an enduring career as a CCM performer.