This book offers a long-overdue examination of choral performance practices in the 1800s, including expressive devices, pronunciation, instruments, and choral/orchestral placement. More than one-hundred musical examples, illustrations, tables, and photographs and contemporaneous sources detail how choral music was sung in this time period.
This book offers a long-overdue examination of choral performance practices in the 1800s, including expressive devices, pronunciation, instruments, and choral/orchestral placement. More than one-hundred musical examples, illustrations, tables, and photographs and contemporaneous sources detail how choral music was sung in this time period.
David Friddle is a conductor, organist, educator, scholar, and composer.
Inhaltsangabe
Acknowledgments Introduction Proviso Foreword, by Nick Strimple, DMA One More Thing Chapter 1. Expressive Devices Chapter 2. Pronunciation Chapter 3. Chordopohones, Aerophones, and Drums Chapter 4. Quires, Bands, and Where They Sit [Semi]final Thoughts Bibliography Index
Acknowledgments Introduction Proviso Foreword, by Nick Strimple, DMA One More Thing Chapter 1. Expressive Devices Chapter 2. Pronunciation Chapter 3. Chordopohones, Aerophones, and Drums Chapter 4. Quires, Bands, and Where They Sit [Semi]final Thoughts Bibliography Index
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