Paul Schleuse is Associate Professor of Music at Binghamton University, State University of New York.
Inhaltsangabe
Introduction 1. The Four-Voice Canzonetta as (and in) Recreational Polyphony 2. Intertextuality in Vecchi's Canzonettas and Madrigals, 1583-1590 3. Forest and Feast: The Music Book as Metaphor 4. L'Amfiparnaso: Picturing Theatre & The Problem of the "Madrigal Comedy" 5. Competition and Conversation: Games as Music 6. Representation and Identity in Musical Performance Appendix: Vecchi, L'hore di recreatione from Madrigali a sei (1583). Notes Works Cited Index
Introduction 1. The Four-Voice Canzonetta as (and in) Recreational Polyphony 2. Intertextuality in Vecchi's Canzonettas and Madrigals, 1583-1590 3. Forest and Feast: The Music Book as Metaphor 4. L'Amfiparnaso: Picturing Theatre & The Problem of the "Madrigal Comedy" 5. Competition and Conversation: Games as Music 6. Representation and Identity in Musical Performance Appendix: Vecchi, L'hore di recreatione from Madrigali a sei (1583). Notes Works Cited Index
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