Singing in Magnetic Hoofbeat: Essays, Prose Texts, Interviews and a Lecture 1991-2007 - Alexander, Will
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Literary Nonfiction. African American Studies. Edited and with an Introduction by Taylor Brady. Afterword by Andrew Joron. One of the most prolific and original figures in the field of contemporary literature, Will Alexander is known worldwide for his arresting explorations of European and Caribbean surrealism, postcolonial history, twentieth-century philosophy, and contemporary scientific theory. Here, Alexander undertakes nothing less than a redefinition of the essay form itself, opening an "artery of twilight" wherein aesthetic, political, historical, social, cultural, scientific, and…mehr

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Literary Nonfiction. African American Studies. Edited and with an Introduction by Taylor Brady. Afterword by Andrew Joron. One of the most prolific and original figures in the field of contemporary literature, Will Alexander is known worldwide for his arresting explorations of European and Caribbean surrealism, postcolonial history, twentieth-century philosophy, and contemporary scientific theory. Here, Alexander undertakes nothing less than a redefinition of the essay form itself, opening an "artery of twilight" wherein aesthetic, political, historical, social, cultural, scientific, and theoretical discourses often become indistinguishable elements of a holistic investigation into the composition--or, re-composition--of the physical and metaphysical worlds. SINGING IN MAGNETIC HOOFBEAT is an indispensible record of Alexander's thought, and confirms his reputation as one of the foremost exponents of Afro-futurist modernism. "In SINGING IN MAGNETIC HOOFBEAT...Alexander praises his influences; analyzes the politics and aesthetics of the long 20th century; reflects on the repressed, but undeniable importance of African cosmological views to the European Renaissance; and articulates the expansive possibilities of what we might call--non-exclusively--an African diasporic surrealism. For a trail guide to the wonders of Alexandrian poetics, read these essays. For fresh evidence that surrealism is alive, not as a 'movement,' but as a freedom-oriented, imaginatively unbounded mode of being in the world, read these esssays."--Evie Shockley
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Autorenporträt
Born in 1948, Will Alexander is a poet, novelist, essayist, playwright, visual artist and pianist. He was the recipient of a Whiting Fellowship for Poetry in 2001 and a California Arts Council Fellowship in 2002. He was also the subject of a colloquium published in the prestigious African American cultural journal Callaloo in 1999. Author of ten books (including MIRACH SPEAKS TO HIS GRAMMATICAL TRANSPARENTS, INSIDE THE EARTHQUAKE PALACE: 4 PLAYS, ABOVE THE HUMAN NERVE DOMAIN, COMPRESSION & PURITY, EXOBIOLOGY AS GODDESS, and TOWARDS THE PRIMEVAL LIGHTNING FIELD), Alexander has taught at various colleges including University of California, San Diego, New College (San Francisco, CA), Hofstra University, and Jack Kerouac School of Disembodied Poetics, in addition to being associated with the nonprofit organization Theatre of Hearts/Youth First, serving at-risk youth. He is a lifelong resident of Los Angeles.