Aaron Ridley presents a series of twelve essays, half of them appearing here for the first time, about the two key singularities that Kant identified in aesthetics: artistic creativity and aesthetic judgement. He explores how the one-off character of creativity and judgement defy our ordinary expectations of what an explanation should be like.
Aaron Ridley presents a series of twelve essays, half of them appearing here for the first time, about the two key singularities that Kant identified in aesthetics: artistic creativity and aesthetic judgement. He explores how the one-off character of creativity and judgement defy our ordinary expectations of what an explanation should be like.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Educated at the universities of York (BA) and Cambridge (PhD), Aaron Ridley has taught at UCNW Bangor, Ithaca College, NY, and, since 1994, the University of Southampton. His chief research interests are aesthetics, especially musical aesthetics, and the thought of Friedrich Nietzsche.
Inhaltsangabe
Introduction Part 1: Creativity 1: R.G. Collingwood: a Philosophy of Art 2: Against Musical Ontology 3: Pieces of Music and Pinches of Salt 4: Why Ethics and Aesthetics are Practically the Same 5: Making Art, Making Craft 6: Kant's Aesthetic Ideas Part 2: Judgement 7: On the Musically Possible 8: Song as a Whole 9: Bad Art 10: Alex Neill, University of Southampton: Critical Conversions 11: Religious Music for Godless Ears 12: Art Works: on Functional Beauty References Index
Introduction Part 1: Creativity 1: R.G. Collingwood: a Philosophy of Art 2: Against Musical Ontology 3: Pieces of Music and Pinches of Salt 4: Why Ethics and Aesthetics are Practically the Same 5: Making Art, Making Craft 6: Kant's Aesthetic Ideas Part 2: Judgement 7: On the Musically Possible 8: Song as a Whole 9: Bad Art 10: Alex Neill, University of Southampton: Critical Conversions 11: Religious Music for Godless Ears 12: Art Works: on Functional Beauty References Index
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