Sir Charles Danvers - Cholmondeley, Mary
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

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Produktbeschreibung
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Autorenporträt
Mary Cholmondeley (1859 - 1925) was an English novelist. She began writing with serious intent in her teens. She wrote in her journal in 1877, "What a pleasure and interest it would be to me in life to write books. I must strike out a line of some kind, and if I do not marry (for at best that is hardly likely, as I possess neither beauty nor charms) I should want some definite occupation, besides the home duties." She succeeded in publishing some stories in The Graphic and elsewhere. Her first novel was The Danvers Jewels (1887), a detective story that won her a small following. It appeared in the Temple Bar magazine published by Richard Bentley, after fellow novelist Rhoda Broughton had introduced her to George Bentley. It was followed by Sir Charles Danvers (1889), Diana Tempest (1893) and A Devotee (1897). The satirical Red Pottage (1899) was a best-seller on both sides of the Atlantic and is reprinted occasionally. It satirizes religious hypocrisy and the narrowness of country life and was denounced from a London pulpit as immoral. It was equally sensational because it "explored the issues of female sexuality and vocation, recurring topics in late-Victorian debates about the New Women." Despite the book's great success, however, the author received little money for it because she had sold the copyright.