This study reappraises Sir Thomas Wyatt (c.1504-1542) as a poetic innovator. It discusses Wyatt's reflections on the writing process, and his awareness of how words can be turned in new directions - that is, rewritten, amended, transformed, manipulated, even performed - over the course of a text's production, transmission, and reception.
This study reappraises Sir Thomas Wyatt (c.1504-1542) as a poetic innovator. It discusses Wyatt's reflections on the writing process, and his awareness of how words can be turned in new directions - that is, rewritten, amended, transformed, manipulated, even performed - over the course of a text's production, transmission, and reception.
Chris Stamatakis studied as an undergraduate and postgraduate at the University of Oxford, writing his doctorate on Sir Thomas Wyatt and early Tudor literary practice. In 2009, he was awarded a Leverhulme Early Career Fellowship and a Junior Research Fellowship at Lincoln College, Oxford, where he contributed to teaching in the Renaissance period and where he worked on a research project examining the influence of Italian literature on the emergence of an English vernacular poetics in the sixteenth century. He is currently a Lecturer in English at University College London.
Inhaltsangabe
* Abbreviations * Note on transcription * List of Illustrations * Prologue - What's in a Name? * 1: Torne the worde - Literary Practice in the Early Sixteenth Century * 2: This word redeme - Redemptive Paraphrase in the Penitential Psalms * 3: For your forder aduertisement - Performative Rescription in Wyatt's Letters and Verse Epistles * 4: Pastyme with good companye - Balets and Answer-words * Epilogue - Continuell chaunge * Appendix 1 - Conspectus of Manuscripts * Appendix 2 - Table: Poems common to Egerton and other principal witnesses * Select Bibliography
* Abbreviations * Note on transcription * List of Illustrations * Prologue - What's in a Name? * 1: Torne the worde - Literary Practice in the Early Sixteenth Century * 2: This word redeme - Redemptive Paraphrase in the Penitential Psalms * 3: For your forder aduertisement - Performative Rescription in Wyatt's Letters and Verse Epistles * 4: Pastyme with good companye - Balets and Answer-words * Epilogue - Continuell chaunge * Appendix 1 - Conspectus of Manuscripts * Appendix 2 - Table: Poems common to Egerton and other principal witnesses * Select Bibliography
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