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Letters, photographs, a program from a concert by Madame Albani, a buckskin jacket, clippings about the Bill Miner gang -- mementos found by a museum curator organizing a display about central British Columbia a century ago. Infused with the spirit clinging to these personal treasures, Anna reconstructs the life of their owner, Margaret Stuart. On the cusp of womanhood, Margaret is drawn by opposites: the Nicola Valley ranchland, the horses, and her native grandmother's traditions on one side, the luxuries sent by her American relatives an the new art of photography on the other. Anna's and…mehr

Produktbeschreibung
Letters, photographs, a program from a concert by Madame Albani, a buckskin jacket, clippings about the Bill Miner gang -- mementos found by a museum curator organizing a display about central British Columbia a century ago. Infused with the spirit clinging to these personal treasures, Anna reconstructs the life of their owner, Margaret Stuart. On the cusp of womanhood, Margaret is drawn by opposites: the Nicola Valley ranchland, the horses, and her native grandmother's traditions on one side, the luxuries sent by her American relatives an the new art of photography on the other. Anna's and Margaret's lives entwine, the past reverberates through the present, and their shared rituals and turning points create a universal pattern of beauty.
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Autorenporträt
Theresa Kishkan is the author of eleven books of poetry and prose. Her essays have appeared in Memewar, Dandelion, Lake, Contrary, The New Quarterly, Cerise, and many other magazines and have been nominated for the Pushcart Prize, the Relit Award, the Ethel Wilson Fiction Prize, and the Hubert Evans Prize for Non-Fiction. Her collection of essays, Phantom Limb , won the first Readers' Choice Award from the Canadian Creative Non-Fiction Collective in 2009. An essay from Mnemonic won the 2010 Edna Staebler Personal Essay Prize.