Cultural communities are shaped and produced by ongoing processes of translation understood as aesthetic media practices - such is the premise of this volume. Taking on perspectives from cultural, literary and media studies as well as postcolonial theory, the chapters shed light on composite cultural and heterotypical translation processes across various media, such as texts, films, graphic novels, theater and dance performances. Thus, the authors explore the cultural contexts of diverse media milieus in order to explain how cultural communities come into being.
Cultural communities are shaped and produced by ongoing processes of translation understood as aesthetic media practices - such is the premise of this volume. Taking on perspectives from cultural, literary and media studies as well as postcolonial theory, the chapters shed light on composite cultural and heterotypical translation processes across various media, such as texts, films, graphic novels, theater and dance performances. Thus, the authors explore the cultural contexts of diverse media milieus in order to explain how cultural communities come into being.
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Autorenporträt
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Thomas Weber (Dr. habil.) arbeitet seit 1998 als Medienwissenschaftler an der Humboldt-Universität zu Berlin, zuvor war er mehrere Jahre als DAAD-Lektor an einer Grande École in Paris tätig. Zu seinen Arbeitsschwerpunkten zählen Medienästhetik und Medialitätsforschung, interkulturelle Kommunikation sowie französische Mediologie.
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