This creative and original book develops a framework for situated writing as theory and method and presents a trilogy of untimely academic novellas as exemplars of the uses of situated writing.
This creative and original book develops a framework for situated writing as theory and method and presents a trilogy of untimely academic novellas as exemplars of the uses of situated writing.
Mona Livholts, PhD, is Professor of Social Work in the Department of Social Sciences, Helsinki University, Finland; founder and leader of The Network for Reflexive Academic Writing Methodologies (RAW) 2008-2017. Her research focuses on emergent writing methodologies in a context of method transformation saturated by gender-, inter- and transdisciplinarity, creative and art-based methods, in particular auto/biographical and narrative life writing genres such as diaries and letters, memory work, poetry, and photography. Research themes include media narratives on rape, gender, space, and communication, and glocalised social work. She has published books in Swedish and English including: Genus och det akademiska skrivandets former [Gender and Forms of Academic Writing] (Eds with Bränström Öhman 2007), Emergent Writing Methodologies in Feminist Studies (2012), Discourse and Narrative Methods: Theoretical Departures, Analytical Strategies and Situated Writing (with Tamboukou 2015), and Social Work in a Glocalised World (with Bryant 2017).
Inhaltsangabe
Part I: Situated Writing as Theory and Method 1. The Whys and Hows of Situated Writing as Theory and Method 2. Narrative Life Writing Within and Across Mutable Genres Part II: A Trilogy of Untimely Academic Novellas 3. 'The Professor's Chair' 4. 'The Snow Angel and Other Imprints' 5. 'Writing Water' 6. Open Questions and Concerns to Guide Your Own Situated Writing
Part I: Situated Writing as Theory and Method 1. The Whys and Hows of Situated Writing as Theory and Method 2. Narrative Life Writing Within and Across Mutable Genres Part II: A Trilogy of Untimely Academic Novellas 3. 'The Professor's Chair' 4. 'The Snow Angel and Other Imprints' 5. 'Writing Water' 6. Open Questions and Concerns to Guide Your Own Situated Writing
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