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Six Characters in Search of an Author (Sei personaggi in cerca d'autore) is an Italian three-act play written by Luigi Pirandello in 1921, considered as one of the earliest examples of absurdist theatre. It's a play within a play that deals with perceptions of reality and illusion, and plays with the ideas of identity and relative truths. The plot features an acting company who have gathered to rehearse another play by Pirandello, when they're interrupted by 6 "characters" who arrive in search of their author. They immediately clash with the manager who at first assumes they're mad. But, as…mehr

Produktbeschreibung
Six Characters in Search of an Author (Sei personaggi in cerca d'autore) is an Italian three-act play written by Luigi Pirandello in 1921, considered as one of the earliest examples of absurdist theatre. It's a play within a play that deals with perceptions of reality and illusion, and plays with the ideas of identity and relative truths. The plot features an acting company who have gathered to rehearse another play by Pirandello, when they're interrupted by 6 "characters" who arrive in search of their author. They immediately clash with the manager who at first assumes they're mad. But, as the play progresses, the manager slowly shifts his reality as the characters become more real than the actors. Six Characters in Search of an Author opened in Rome at Valle di Roma and created a huge and clamorous division in the audience, forcing Pirandello to escape out the side door. But a year later it was presented in Milan to great success, before moving on to Broadway in 1922 where it ran
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Autorenporträt
LUIGI PIRANDELLO (Girgenti 1867 - Rome 1936) was arguably the most influential playwright in the 20th century, and his writings attract even more scholarly attention today. His plays challenge incessantly our perception of reality, exposing the grotesque elements that make up all manner of social behaviour. He has been criticised for paying lip service to Mussolini's regime, but the prevailing scholarship today recognizes the real purpose behind the playwright's political stance: Pirandello's interest, first and foremost, was to promote his theatre, and he did not hesitate to "act" in order to gain the necessary government backing. Significantly, Alice Rohe regarded him as the harbinger of a new Italian Renaissance. Pirandello was awarded the Nobel Prize for Literature in 1934.