Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes.
Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Duncan Petrie is Professor of Film at the University of York. His publications include Creativity and Constraint in the British Film Industry (1991), The British Cinematographer (1996), Screening Scotland (2000), Contemporary Scottish Fictions (2004), Shot in New Zealand (2007) and Educating Film-Makers (2014). Melanie Williams is Reader in Film and Television Studies at the University of East Anglia. Her publications include the monographs David Lean (2014) and Female Stars of British Cinema (2017) and the co-edited collections British Women's Cinema (2009) and Ealing Revisited (2012). Laura Mayne is an Associate Lecturer at the University of York. Her research specialism is in post-war British cinema with an emphasis on industrial history, institutional practices and production cultures, and she has published widely on these subjects. She is currently working on her first monograph, titled Slumdogs and Millionaires: The Story of Film4.
Inhaltsangabe
Introduction Duncan Petrie and Melanie Williams; PART ONE: STARS AND STARDOM: Male Stardom in 1960s British Cinema Andrew Spicer; 'Rebel Rebel'?: Oliver Reed in the 1960s Caroline Langhorst; Carol White: The Bardot of Battersea Margherita Sprio; 'The Old Wave at Work': The Transatlantic Stardom of the British Character Actress in the 1960s Claire Mortimer; PART TWO: CREATIVE COLLABORATION; Woodery-pokery: Charles Wood's Sixties Screenwriting David Cairns; 'Beyond Naturalism': Jocelyn Herbert If ....(1968) and design for performance in 1960s British cinema Vicky Lowe; Kes: from page to screen David Forrest and Sue Vice; 'I'd like to remember you as you are - as just a grumpy old man': Joseph Losey and Figures in a Landscape (1970) Llewella Chapman; PART THREE: STYLE AND GENRE; 'Wholesome rough stuff': Hammer Films and the 'A' and 'U' Certificate 1959-65 Paul Frith; Widescreen Pyrotechnics: Shot Composition and Staging in the Cold War Films of Joseph Losey and Sidney J. Furie Steven Roberts; The Rise and Fall of the Colourful Corporate Fantasy in 1960s British Cinema Carolyn Rickards; Witchfinders and Sorcerers: Sorcery and counterculture in the work of Michael Reeves Virginie Sélavy; PART FOUR: CULTURAL TRANSFORMATIONS; 'An Impulse of Anger Instantly Regretted': Rebellion and Reaction in the early 1960s Naval Film Mark Fryers; Narratives of Race and Identity in Sixties British Cinema Phillip Drummond; Panic at the Disco: Brainwashing Alienation and the Discothèque in Swinging London films Sophia Satchell-Baeza
Introduction Duncan Petrie and Melanie Williams; PART ONE: STARS AND STARDOM: Male Stardom in 1960s British Cinema Andrew Spicer; 'Rebel Rebel'?: Oliver Reed in the 1960s Caroline Langhorst; Carol White: The Bardot of Battersea Margherita Sprio; 'The Old Wave at Work': The Transatlantic Stardom of the British Character Actress in the 1960s Claire Mortimer; PART TWO: CREATIVE COLLABORATION; Woodery-pokery: Charles Wood's Sixties Screenwriting David Cairns; 'Beyond Naturalism': Jocelyn Herbert If ....(1968) and design for performance in 1960s British cinema Vicky Lowe; Kes: from page to screen David Forrest and Sue Vice; 'I'd like to remember you as you are - as just a grumpy old man': Joseph Losey and Figures in a Landscape (1970) Llewella Chapman; PART THREE: STYLE AND GENRE; 'Wholesome rough stuff': Hammer Films and the 'A' and 'U' Certificate 1959-65 Paul Frith; Widescreen Pyrotechnics: Shot Composition and Staging in the Cold War Films of Joseph Losey and Sidney J. Furie Steven Roberts; The Rise and Fall of the Colourful Corporate Fantasy in 1960s British Cinema Carolyn Rickards; Witchfinders and Sorcerers: Sorcery and counterculture in the work of Michael Reeves Virginie Sélavy; PART FOUR: CULTURAL TRANSFORMATIONS; 'An Impulse of Anger Instantly Regretted': Rebellion and Reaction in the early 1960s Naval Film Mark Fryers; Narratives of Race and Identity in Sixties British Cinema Phillip Drummond; Panic at the Disco: Brainwashing Alienation and the Discothèque in Swinging London films Sophia Satchell-Baeza
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