Itchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. Thompson explores how some British artists conjured up sophisticated hybrid forms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture's economic power challenged the authority of their parents' generation. Based on extensive research, including…mehr
Itchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. Thompson explores how some British artists conjured up sophisticated hybrid forms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture's economic power challenged the authority of their parents' generation. Based on extensive research, including vintage and original interviews, Thompson presents sixties British pop, not as lists of discrete people and events, but as an interwoven story.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gordon Ross Thompson has taught classes on the musics of India, popular music culture, and media studies at Skidmore College and has served as editor of the Society for Ethnomusicology's Newsletter and as webmaster for the Society for Asian Music. The author of Please Please Me: Sixties British Pop, Inside Out, he has been interviewed by National Public Radio, the Canadian Broadcasting Corporation, and the Australian Broadcasting Corporation among other radio and television broadcasts. At Skidmore College, he also produced a popular annual Beatles concert by students, staff, and faculty.
Inhaltsangabe
Introduction Part One Swinging London, 1964-1967 Chapter 1 The Art of Pop Chapter 2 Finding England Chapter 3 Home Court Advantages Chapter 4 Beatles '67 Chapter 5 The Establishment Strikes Back Chapter 6 Classic Progressives Part Two Gardens of Earthly Delights, 1965-1969 Chapter 7 British Proto Punk Chapter 8 Transatlantic Transformers Chapter 9 Old Bottles, New Wine Part Three Pop Roles Chapter 10 Male Delivery Chapter 11 Televising the Feminine Chapter 12 Second Wave Pocket Part Four Decade Ends, 1967-1970 Chapter 13 Worlds Apart Chapter 14 England Calling Chapter 15 Electric Faeries Chapter 16 Folk Pop Chapter 17 Transatlantic Routes Part Five Something Old, Something New Chapter 18 New Territory Chapter 19 English Tales Chapter 20 Something Old, Something New Afterword Appendices Discography Media Sources Sources Music Index Subject Index
Introduction Part One Swinging London, 1964-1967 Chapter 1 The Art of Pop Chapter 2 Finding England Chapter 3 Home Court Advantages Chapter 4 Beatles '67 Chapter 5 The Establishment Strikes Back Chapter 6 Classic Progressives Part Two Gardens of Earthly Delights, 1965-1969 Chapter 7 British Proto Punk Chapter 8 Transatlantic Transformers Chapter 9 Old Bottles, New Wine Part Three Pop Roles Chapter 10 Male Delivery Chapter 11 Televising the Feminine Chapter 12 Second Wave Pocket Part Four Decade Ends, 1967-1970 Chapter 13 Worlds Apart Chapter 14 England Calling Chapter 15 Electric Faeries Chapter 16 Folk Pop Chapter 17 Transatlantic Routes Part Five Something Old, Something New Chapter 18 New Territory Chapter 19 English Tales Chapter 20 Something Old, Something New Afterword Appendices Discography Media Sources Sources Music Index Subject Index
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