Downtown, 1956-1965--the first volume of Sixties British Pop, Outside In- -describes the rise of London's music and recording cultures through the stories of those who empowered Britain's youth to be young. As the generations born in the postwar world entered adolescence and demanded a say in their lives, British musicians responded by creating music reflecting youth's quest for love and recognition. With waves of technological innovation sweeping through a world where political and economic superpowers postured for domination, deep-seated English values helped shape both pop music and its audiences.…mehr
Downtown, 1956-1965--the first volume of Sixties British Pop, Outside In- -describes the rise of London's music and recording cultures through the stories of those who empowered Britain's youth to be young. As the generations born in the postwar world entered adolescence and demanded a say in their lives, British musicians responded by creating music reflecting youth's quest for love and recognition. With waves of technological innovation sweeping through a world where political and economic superpowers postured for domination, deep-seated English values helped shape both pop music and its audiences.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gordon Ross Thompson has taught classes on the musics of India, popular music culture, and media studies at Skidmore College and has served as editor of the Society for Ethnomusicology's Newsletter and as webmaster for the Society for Asian Music. The author of Please Please Me: Sixties British Pop, Inside Out, he has been interviewed by National Public Radio, the Canadian Broadcasting Corporation, and the Australian Broadcasting Corporation among other radio and television broadcasts. At Skidmore College, he also produced a popular annual Beatles concert by students, staff, and faculty.
Inhaltsangabe
Preface Introduction Part One Before the Flood, 1950-1962 Chapter 1 Common Roots Chapter 2 First Responders Chapter 3 Channeling English Pop Chapter 4 Behind the Stars Chapter 5 The Beatles as English Part Two A Door Opens, 1963 Chapter 6 The Beatles: Outside In Chapter 7 Northwest Passage Chapter 8 Capital Connections Chapter 9 Where Stones Roll Part Three Frontiers, 1964 Chapter 10 Consuming the Beatles Chapter 11 Northern Waves Chapter 12 Middle English Chapter 13 Independents Movement Part Four The Feminine Musique Chapter 14 The Problem That Has No Name Chapter 15 Women: The Next Wave Part Five Transitions, 1964-1965 Chapter 16 Scenes Chapter 17 Down the Road a Piece Chapter 18 Meet the Rolling Stones Chapter 19 Modifications Chapter 20 Uncommon Folks Appendices Discography Media Sources Sources Music Index Subject Index
Preface Introduction Part One Before the Flood, 1950-1962 Chapter 1 Common Roots Chapter 2 First Responders Chapter 3 Channeling English Pop Chapter 4 Behind the Stars Chapter 5 The Beatles as English Part Two A Door Opens, 1963 Chapter 6 The Beatles: Outside In Chapter 7 Northwest Passage Chapter 8 Capital Connections Chapter 9 Where Stones Roll Part Three Frontiers, 1964 Chapter 10 Consuming the Beatles Chapter 11 Northern Waves Chapter 12 Middle English Chapter 13 Independents Movement Part Four The Feminine Musique Chapter 14 The Problem That Has No Name Chapter 15 Women: The Next Wave Part Five Transitions, 1964-1965 Chapter 16 Scenes Chapter 17 Down the Road a Piece Chapter 18 Meet the Rolling Stones Chapter 19 Modifications Chapter 20 Uncommon Folks Appendices Discography Media Sources Sources Music Index Subject Index
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