Alex Hillkurtz
Sketching Techniques for Artists
In-Studio and Plein-Air Methods for Drawing and Painting Still Lifes, Landscapes, Architecture, Faces and Figures, and More
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Alex Hillkurtz
Sketching Techniques for Artists
In-Studio and Plein-Air Methods for Drawing and Painting Still Lifes, Landscapes, Architecture, Faces and Figures, and More
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Sketching Techniques for Artists is the modern guide for learning essential sketching and watercolor techniques for creating landscapes, cityscapes, architecture, figures and faces, still lifes, and more.
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Sketching Techniques for Artists is the modern guide for learning essential sketching and watercolor techniques for creating landscapes, cityscapes, architecture, figures and faces, still lifes, and more.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- For Artists
- Verlag: Quarto Publishing Group USA Inc
- Seitenzahl: 144
- Erscheinungstermin: 30. März 2021
- Englisch
- Abmessung: 213mm x 275mm x 12mm
- Gewicht: 570g
- ISBN-13: 9781631599231
- ISBN-10: 1631599232
- Artikelnr.: 59466087
- For Artists
- Verlag: Quarto Publishing Group USA Inc
- Seitenzahl: 144
- Erscheinungstermin: 30. März 2021
- Englisch
- Abmessung: 213mm x 275mm x 12mm
- Gewicht: 570g
- ISBN-13: 9781631599231
- ISBN-10: 1631599232
- Artikelnr.: 59466087
Alex Hillkurtz was born in England and grew up in California, where he works as a renowned storyboard artist for feature films, television, and commercials. His film credits include Argo, Almost Famous, It’s Complicated , Vanilla Sky, and many others. He uses the language of cinema to inform his images, moving beyond what one sees, and depicting what he wants others to see. Alex has taught sketching, plein air, and watercolor workshops in Germany, Russia, Italy, the Netherlands, France, the UK, and the US. His artwork, which has earned him Signature status in the National Watercolor Society as a Master artist, has been exhibited at L'Entrée des Artistes in Paris, Matite en Viaggio in Venice, and MiArs in Milan. He believes that in our too-crowded lives, sketching and plein air painting invite us to move at a more deliberate pace to discover a true sense of place, and in the process, unexpected stories are revealed. Alex currently lives in Paris with his film editor wife, Tiffany, and enjoys discovering the hidden corners of the city that sketching and plein air painting allow.
Introduction
1 MATERIALS AND TOOLS
A Personal Choice Pens, Pencils, and Inks
Paper and Sketchbooks
Brushes
Watercolor Paint
Miscellaneous Tools2 GENERAL SKETCHING TECHNIQUES
Using the Language of Film to Tell a Story
Selecting What to Sketch
Rendering Light in a Sketch
Details
3 COMPOSITION
Telling a Story
The Rule of Thirds
Contrast and Detail
Thumbnail Sketches
4 PERSPECTIVE
Basic Bones
Linear Perspective The Horizon Line
One-Point Perspective
Two-Point Perspective
Three-Point Perspective
Perspective on a Curved Street5 STILL LIFE
A Poem Made Visible
A New Way to See Objects
Rendering Light
Adding Color
Structure
Negative Space
6 LANDSCAPES
Landscape Composition
Sketching Landscapes and Line Weight
Atmospheric Perspective
7 ARCHITECTURE
An Overview of Basic Forms
Roofs
Doorways and Arches
Windows
Balconies
Awnings
Signs
Architecture as Character
8 FIGURES
The Basic Figure
Adding Volume
Capturing Gesture
Drawing Figures in Groups
Drawing the Head
9 WATERCOLOR
Dancing with Watercolor
Creating Multiple Effects with One Color
Creating Texture: Splatters, Splashes, and Scrapes
Color Mixing
Warm and Cool Colors
Painting with a Limited Palette
Stages of a Painting
The Color and Consistency of Shadows
Contre Jour
Conclusion: Keep Going
Resources
Influences
Acknowledgments
About the Author
Index
1 MATERIALS AND TOOLS
A Personal Choice Pens, Pencils, and Inks
Paper and Sketchbooks
Brushes
Watercolor Paint
Miscellaneous Tools2 GENERAL SKETCHING TECHNIQUES
Using the Language of Film to Tell a Story
Selecting What to Sketch
Rendering Light in a Sketch
Details
3 COMPOSITION
Telling a Story
The Rule of Thirds
Contrast and Detail
Thumbnail Sketches
4 PERSPECTIVE
Basic Bones
Linear Perspective The Horizon Line
One-Point Perspective
Two-Point Perspective
Three-Point Perspective
Perspective on a Curved Street5 STILL LIFE
A Poem Made Visible
A New Way to See Objects
Rendering Light
Adding Color
Structure
Negative Space
6 LANDSCAPES
Landscape Composition
Sketching Landscapes and Line Weight
Atmospheric Perspective
7 ARCHITECTURE
An Overview of Basic Forms
Roofs
Doorways and Arches
Windows
Balconies
Awnings
Signs
Architecture as Character
8 FIGURES
The Basic Figure
Adding Volume
Capturing Gesture
Drawing Figures in Groups
Drawing the Head
9 WATERCOLOR
Dancing with Watercolor
Creating Multiple Effects with One Color
Creating Texture: Splatters, Splashes, and Scrapes
Color Mixing
Warm and Cool Colors
Painting with a Limited Palette
Stages of a Painting
The Color and Consistency of Shadows
Contre Jour
Conclusion: Keep Going
Resources
Influences
Acknowledgments
About the Author
Index
Introduction
1 MATERIALS AND TOOLS
A Personal Choice Pens, Pencils, and Inks
Paper and Sketchbooks
Brushes
Watercolor Paint
Miscellaneous Tools2 GENERAL SKETCHING TECHNIQUES
Using the Language of Film to Tell a Story
Selecting What to Sketch
Rendering Light in a Sketch
Details
3 COMPOSITION
Telling a Story
The Rule of Thirds
Contrast and Detail
Thumbnail Sketches
4 PERSPECTIVE
Basic Bones
Linear Perspective The Horizon Line
One-Point Perspective
Two-Point Perspective
Three-Point Perspective
Perspective on a Curved Street5 STILL LIFE
A Poem Made Visible
A New Way to See Objects
Rendering Light
Adding Color
Structure
Negative Space
6 LANDSCAPES
Landscape Composition
Sketching Landscapes and Line Weight
Atmospheric Perspective
7 ARCHITECTURE
An Overview of Basic Forms
Roofs
Doorways and Arches
Windows
Balconies
Awnings
Signs
Architecture as Character
8 FIGURES
The Basic Figure
Adding Volume
Capturing Gesture
Drawing Figures in Groups
Drawing the Head
9 WATERCOLOR
Dancing with Watercolor
Creating Multiple Effects with One Color
Creating Texture: Splatters, Splashes, and Scrapes
Color Mixing
Warm and Cool Colors
Painting with a Limited Palette
Stages of a Painting
The Color and Consistency of Shadows
Contre Jour
Conclusion: Keep Going
Resources
Influences
Acknowledgments
About the Author
Index
1 MATERIALS AND TOOLS
A Personal Choice Pens, Pencils, and Inks
Paper and Sketchbooks
Brushes
Watercolor Paint
Miscellaneous Tools2 GENERAL SKETCHING TECHNIQUES
Using the Language of Film to Tell a Story
Selecting What to Sketch
Rendering Light in a Sketch
Details
3 COMPOSITION
Telling a Story
The Rule of Thirds
Contrast and Detail
Thumbnail Sketches
4 PERSPECTIVE
Basic Bones
Linear Perspective The Horizon Line
One-Point Perspective
Two-Point Perspective
Three-Point Perspective
Perspective on a Curved Street5 STILL LIFE
A Poem Made Visible
A New Way to See Objects
Rendering Light
Adding Color
Structure
Negative Space
6 LANDSCAPES
Landscape Composition
Sketching Landscapes and Line Weight
Atmospheric Perspective
7 ARCHITECTURE
An Overview of Basic Forms
Roofs
Doorways and Arches
Windows
Balconies
Awnings
Signs
Architecture as Character
8 FIGURES
The Basic Figure
Adding Volume
Capturing Gesture
Drawing Figures in Groups
Drawing the Head
9 WATERCOLOR
Dancing with Watercolor
Creating Multiple Effects with One Color
Creating Texture: Splatters, Splashes, and Scrapes
Color Mixing
Warm and Cool Colors
Painting with a Limited Palette
Stages of a Painting
The Color and Consistency of Shadows
Contre Jour
Conclusion: Keep Going
Resources
Influences
Acknowledgments
About the Author
Index