Slags on Stage weaves cultural analysis with poetry and art criticism to explore the concept of the â slagâ and its place in contemporary British-English culture. The book traces the etymology of the word slag through the 20th and into the 21st century, thinking through the ways â slagâ speaks to issues of class, sex and desire.
Slags on Stage weaves cultural analysis with poetry and art criticism to explore the concept of the â slagâ and its place in contemporary British-English culture. The book traces the etymology of the word slag through the 20th and into the 21st century, thinking through the ways â slagâ speaks to issues of class, sex and desire.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Katie Beswick is a writer and academic. She is Programme Director for the BA Arts Management at Goldsmiths, University of London, UK.
Inhaltsangabe
Affect and Synasthesia: An Introduction Part One. Cultures of slag 1. Class, Sex, Desire 2. You Slag - Vulnerability, Interpellation and Twentieth Century Womanhood 3. The Slag, The Bitch and the Wardrobe - The Slag and Pleasure in Popular Culture Part Two. Slaggy art 4. Tracey Emin. Slaggy Endurance in Why I never Became a Dancer 5. Kelly Green. Abject Heterosexuality in CHAV and SLAG 6. Cash Carraway. Mistrust and Difficulty in Skint Estate and Refuge Woman 7. Michaela Coel. Recognition and Class Solidarity in I May Destroy You and Chewing Gum Dreams 8. Eirini Kartsaki. Weirding the Slag in Herpes What Women Want: A (kind of) Conclusion
Affect and Synasthesia: An Introduction Part One. Cultures of slag 1. Class, Sex, Desire 2. You Slag - Vulnerability, Interpellation and Twentieth Century Womanhood 3. The Slag, The Bitch and the Wardrobe - The Slag and Pleasure in Popular Culture Part Two. Slaggy art 4. Tracey Emin. Slaggy Endurance in Why I never Became a Dancer 5. Kelly Green. Abject Heterosexuality in CHAV and SLAG 6. Cash Carraway. Mistrust and Difficulty in Skint Estate and Refuge Woman 7. Michaela Coel. Recognition and Class Solidarity in I May Destroy You and Chewing Gum Dreams 8. Eirini Kartsaki. Weirding the Slag in Herpes What Women Want: A (kind of) Conclusion
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